In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine, the Mob, track them down in an attempt to reclaim it.
Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police.Written by
Harald Mayr <firstname.lastname@example.org>
With the light starting to fail, and a public holiday looming, Ridley Scott had roughly forty-five minutes to get the final scene just right. See more »
The camera on the crew vehicle can be seen in the reflection at the rear of the car on the chrome trim when the T Bird passes. This is just after Louise talks about getting away from their last crime scene. See more »
I *liked* your wife.
[does a mock sexual body thrust in front of Darryl]
[charges at Darryl but gets restrained by the police]
See more »
I Don't Want To Love You (But I Do)
Written by Paul Kennerly
Performed by Kelly Willis
Courtesy of MCA Records See more »
A rare moment in cinema of the total rejection of the rule of law and patriarchy
The road movie is traditionally a male genre, relying on the sense of freedom and independence that having one's own transport provides and which has usually been the privilege of men What is innovatory about "Thelma & Louise" is the way it reequips the genre for women
Thelma (Geena Davis) is a housewife trapped in a meaningless marriage, Louise (Susan Sarandon) is a waitress in a not very significant relationship They decide to give themselves a little space by taking off for a weekend But when Louise shoots a man who is trying to rape Thelma, they are precipitated into a far more radical break with their past lives
The setting of action in the American southwest and the acts of outlawry the women are obliged to commit in order to keep on the run give the film some of the feel of a Western What makes it nevertheless a women's film is that the relationship between the two principals is at the center of the story The various men they encounter, both the ones they leave behind and those they meet on the road have less importance for Thelma and Louise than the two women do for each other
Predictably, the film met with hostility from some male viewers, on the grounds that the men were caricatured and that the film encouraged violence
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