A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
Over 10 years have passed since the first cyborg called The Terminator tried to kill Sarah Connor and her unborn son, John Connor. John Connor, the future leader of the human resistance, is now a healthy young boy. However another Terminator is sent back through time called the T-1000, which is more advanced and more powerful than its predecessor. The Mission: to kill John Connor when he's still a child. However, Sarah and John do not have to face this threat of a Terminator alone. Another Terminator is also sent back through time. The mission: to protect John and Sarah Connor at all costs. The battle for tomorrow has begun...Written by
(at around 13 mins) In the film, which takes place ten years after the original film, Dr. Silberman states that Sarah is 29 years old, which meant Sarah was eighteen in 1984 and was born in 1965. But, in Terminator Genisys (2015), which took place in an alternate timeline. Sarah tells Kyle Reese that Pops saved her in 1973, when she was nine, which means that she was born in 1964, not 1965, and was twenty in alternate 1984, and would be 21 in 1985. See more »
(at around 1h 40 mins) Camera and lower half of crew reflected in the T1000's sunglasses as it cruises through the fires in front of Cyberdyne. See more »
Three billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human resistance, John Connor, my son. The first Terminator was programmed to strike at me in the year 1984, before John was born. It failed. The ...
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Play the Nintendo Game from Acclaim/Lin Entertainment See more »
The supplemental section features a new ending, set in the future, where Sarah Connor is seen as an old woman in a playground filled with children. See more »
Bad to the Bone
Performed by George Thorogood & The Destroyers (as George Thorogood and The Destroyers)
Written by George Thorogood
Published by Del Sound Music (BMI)
Courtesy of EMI Records USA
A Division of Capital Records, inc.
by Arrangement with CEMA Special Markets See more »
Terminator 2 perhaps shows that Cameron was at least was cognizant of life and its meaning. I mean, this IS the movie where the end of the world has the most impact outside of Dr. Strangelove, right? One of those outstanding dream scenes in movies, one of the ones that actually works because it's true in its savage simplicity, Linda Hamilton's Sarah Connor sees herself in her 1984 waitress get up with baby John in a playground and then everything gets wiped out by the BIG BOMB (Dmitri) that also incinerates Hamilton into BBQ.
So it's with this kind of thought that Terminator 2 means to be the most kick-assingest blockbuster of its (or all?) time while trying to keep the loss of life very small - or, rather, the "Bad" Terminator who was designed by the wizards at ILM can kill to its mission's content - I mean, DAMN, it still looks great, and in its silver-liquid-chrome simplicity much more, for me, impressive than the clanging junk of Bay disasters. It's arguable, of course, that the Terminator (T-800) does kill some people, incidentally, or, you know, all that gas from the gun he shoots could make some people really screwed up but, hey, "He'll live" is enough.
But if Cameron is "soft" at all here, it doesn't show too much... well, okay, Lil' John (hehe) does squeak and squak those early 90's amorphisms "No Problemo - chill out - listen to Kriss Kross - etc", and Edward Furlong is one of the things that just does not hold up here. He's serviceable at best, annoying at worst. He can cry okay though.
But it's Arnold, in his swaggering low-key and then with an occasional grin awesome leading man turn, and especially Linda Hamilton who make this tight script so compulsively watchable. Hamilton makes Connor into what Cameron likely saw in his one-time wife/collaborator Bigelow - a take-no-prisoners soldier who can take charge and has muscles and can probably knock you upside the head (maybe that's why they divorced, he couldn't take all that woman... but I digress, at any rate he moved around a lot till his current wife) And there is also a vulnerability still to Sarah that makes her so endearing.
She can never be completely hard, though time and experience and the dread of what's to come had scarred her, so by the time she has the chance to kill the Man Who Destroys The World, she can't do it. A scene like that is probably more emotionally gripping than so many other scenes that try in these blockbusters (something like Days of Future Past, which is a cousin of this flick, gets there). The fact Hamilton wasn't able to parlay such high caliber performance work into a better career is kind of sad, but at least this stands as a benchmark of a woman action hero, one of the two Cameron Wonder Women really.
So, blast your Guns N Roses, say hi to the kid from Salute Your Shorts (that's him, right, Connor's friend in the first act?) and ride your motorcycle through LA - it's a bad mother-jammer of a blockbuster that holds up enough to look over its faults (i.e. some dialog isn't tight, like the voice-over, it's alright but whatever - perhaps it was ambitious enough to best The Perfect Action Movie, which the first Terminator just was).
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