After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
Over 10 years have passed since the first robot called The Terminator tried to kill Sarah Connor and her unborn son, John. The man who will become the future leader of the human resistance against the Machines is now a healthy young boy. However, another Terminator, called the T-1000, is sent back through time by the supercomputer Skynet. This new Terminator is more advanced and more powerful than its predecessor and its mission is to kill John Connor when he's still a child. However, Sarah and John do not have to face the threat of the T-1000 alone. Another Terminator (identical to the same model that tried and failed to kill Sarah Conner in 1984) is also sent back through time. The battle for tomorrow has begun.Written by
August 29, 1997 is also the date that Netflix launched. Not only that, but it started in Scotts Valley near San Jose in a region referred to as the Silicon Valley which was the birthplace of Skynet in the Terminator canon. See more »
(at around 54 mins) In the mental institute the Terminator pushes a woman by her face, she slides towards the bars then stops by an opening on the right. When the T-1000 slowly walks up to these bars you can see the same opening on the right but the woman has gone, then when the T-1000 starts running and shooting the woman is there again. See more »
Three billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human resistance, John Connor, my son. The first Terminator was programmed to strike at me in the year 1984, before John was born. It failed. The ...
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The Special Edition runs about 16 minutes longer. Among the new/alternate scenes:
The orderlies are shown forcing Sarah to take her medication.
Sarah has a long nightmare, involving a visit from Kyle Reese in the hospital leading to a playground/bomb scene outside; this dream happens just before she is seen describing it on tape.
The T-1000 steals a police car after John and the T-800 get away after the canal chase.
The T-1000 realizes the dog is not named Wolfy and kills him, after the phone call from John.
Instead of simply stating that the T-800 learns from humans, there is a long scene in the garage where John and Sarah open him up to change his processor from read-only to learning; Sarah almost smashes the chip to end it all but John talks her out of it.
John tries to teach the T-800 to smile at the gas/food stop.
Dyson is seen at home working on the Skynet chip prototype. His wife comes in and reminds him he's promised to take the kids to Raging Waters. Dyson explains to his wife what a neural net processor is and how it will change mankind for the better. (This happens after Sarah asks about Dyson in the first place.)
At Enrique's house, John and the T-800 are stacking up ammunition. They start to talk about emotions and fear of death. John describes his childhood and his feelings about his mother's previous lovers.
As John and the T-800 race after Sarah to prevent her from killing Dyson, John explains to him that killing is always wrong and life is important. At Dyson's home at night, a series of restored and rearranged shots show Sarah assembling her weapons (with an alternate line from Tarissa), thus building the tension of her stalking Dyson outside in his backyard.
At Cyberdyne, the gang destroys the lab; Dyson himself shatters a large scale model of the Skynet chip with an axe. There is a dialogue change as the police arrive, since the police radio dispatch is not continuous anymore. The theatrical edition mentions the 1984 police station shootout, and the special edition focuses more on a repeat/correction of the Cyberdyne address.
In the factory after the T-1000 is shattered, we see that it's beginning to lose control of its morphing. Its hand takes on black and yellow stripes when it grabs a railing, and later its feet squish and morph into the steel floor pattern on each step. Several minutes later, when it morphs into Sarah Connor, John looks down and notices the T-1000's feet combining with the steel floor right before telling the real Sarah to shoot it.
After the theatrical credits have run in their entirety, there are special edition credits.
the best action film of all time, and NOT due to the CGI
Disclaimer: If you are a viewer that mainly prefers arthouse-type movies, then you might as well ignore this review. In addition, if you're not able to take a few sci-fi leaps of faith, ignore this review, as well. We'll both be better off.
This is the finest action movie of all time. And, yet, believe it or not, it's not the action in the film itself that makes this be the case. This is especially odd in a movie with a $100 million budget (in 1991!), with multiple huge explosions, with thousands of bullets fired, and scores of stuntmen used.
This movie is what it is, a perfect 10, because it takes the vision of one of the most imaginative directors on Earth, and realizes them almost perfectly with all the tools that fit the task -- actors, stunts, puppetry, models, and CG. Without the vision, this film would be nothing. Without the tools, this film would be nothing.
But, a little bit of background is due. This is the sequel to the Terminator (1984), whose premise was that a near-indestructible cyborg is sent by evil self-aware machines from the near future to destroy the mother-to-be of the military commander who would lead the humans to a victory over the machines. Oh, and this terminator machine would come from a time of war between men and machines which followed a nuclear exchange that left billions of people dead, first. In Terminator 2, John Connor (the commander-to-be) is about 12 years old, and his mother (Sarah) is feverishly trying to prepare him for his fate, even as she tries to stop the factors that will lead to the nuclear war and the entire terrible future that made all this necessary. The machines now send a superior, more intelligent, shape-shifting cyborg (T1000) into the past, to kill John himself. Meanwhile, future-John reprograms the ex-evil Terminator (T101) from the original film, and sends him into the past to PROTECT John against the T1000.
That's your basic plot. It does involve travel into the past, so it immediately presents a time-travel paradox which can't really be resolved. In order to even try watching this movie, you MUST LOOK PAST THE PARADOX. If you don't, this movie has zero credibility, and is not worth your time.
What happens after the two terminators appear in the past is a wild ride rife with macho action, dark reflection on the nature of man, and a few rays of hope, here and there. Schwarzenegger (the good terminator) and Patrick (the bad one) make for such effective foes that the times they meet on-screen are completely breathtaking (and odd, given that you repeatedly see the relatively slim T1000 through Arnie through a wall or two). Hamilton, as Sarah Connor, is a wonderful character -- tough beyond all belief and completely focussed on preventing the nuclear war and ensuring John's safety, yet clearly a little out of her mind with paranoia and anger; amazingly, you see actual character development (specifically, when John and T101 arrive at Dyson's house to prevent her from doing what she wants to) in her otherwise 2-dimensional character. And Furlong, as John, is not bad himself as the extroverted kid who's confused by the fact that everyone except his mom tell him his entire upbringing was based on a lie. The bit players all do their jobs well, particularly Earl Boen who plays the semi-sadistic mental hospital warden that stands between Sarah Connor and her son (until the T1000 makes a chilling entrance).
With these players set in motion, it's up to the script to deliver the real substance of the movie. (One often sees great performances in mediocre films... here the story transcends the performances -- an impressive feat.) The script delivers. The film is absolutely filled with great, classic moments (I counted TEN all-star ones during my last viewing), and they're evenly spaced through the movie. I mean, who doesn't cheer (at least inside) when Arnold steps out of the biker bar, fully clad in leather when "Bad to the Bone" music starts to blast? The guy absolutely bleeds coolness. And the T1000 absolutely bleeds evil. But, with so many great moments, you'd think the pacing would be a little uneven... not really! The film shifts from place to place with an ease that makes perfect sense, never giving you the time to start being a little nitpicking jerk, always driving forward, but always doing so thoughtfully and with attention to detail.
Of course, this wouldn't be an action movie without some action. There's plenty of it, and it's perfectly done. The CG effects for the shape-shifting T1000 were cutting-edge for the time, and still look great (whoever said differently below is simply incorrect) -- even if they're completely commonplace today. The stunts are completely insane in scale (at one point, a helicopter flies under a highway overpass; at another, a motorcycle jumps from the 2nd floor of a building into a flying chopper). (Probably, only the Matrix and the Lord of the Rings movies compare in terms of the level of stunt insanity.) And the gunplay is delivered in perfect Cameron-Schwarzenegger style (as opposed to the slo-mo John Woo-style) -- you'll see lots of heavy automatic and explosive weapons, and you'll see them used well. The film is violent, and somewhat bloody, but ALL of the mean-spirited violence is dealt by the evil characters, not the ones you root for (Quentin Tarantino fans: sorry). And then the truly amazing scenes that bypass acting are shocking and memorable -- just wait until the nuclear detonation sequence.
I'm not sure what else you would want in a movie. Probably moral content, and the movie has a very clear pro-human, anti-war message. The message is a bit stale, and the delivery IS, at times, a little heavy-handed (and some moments with the T101 seem just a bit unrealistic, towards the end), but the movie has heart, and that you cannot deny. Plus, it simply rocks. 10/10
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