On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
After an explosion on their moon, the Klingons have an estimated 50 years before their ozone layer is completely depleted, and they all die. They have only one choice - to make peace with the Federation, which will mean an end to 70 years of conflict. Captain James T. Kirk and crew are called upon to help in the negotiations because of their experience with the Klingons. Peace talks don't quite proceed, and Kirk and McCoy are convicted of assassinating the Klingon High Chancellor, and imprisoned on Rura Penthe, a snowy hard-labor prison camp. Will they manage to escape? And will there ever be peace with the Klingons?Written by
Colin Tinto <firstname.lastname@example.org>
Nicholas Meyer initially wished to use Gustav Holst's "The Planets" as the music for this film, but found that this would cost far too much in royalties and be far too tedious to edit into the film. He then asked James Horner, a composer to whom he gave his big break with Star Trek II: The Wrath of Khan (1982), to return and wrap up the original series. Horner stated his career had outgrown "Star Trek" and declined. Meyer then went to Jerry Goldsmith, who flatly refused after the failure of Star Trek V: The Final Frontier (1989). Finally, Meyer asked for demo tapes to be submitted, and he chose the theme of unknown composer Cliff Eidelman because this combined the best of "The Planets" with the styles of Horner and Goldsmith, while still sounding "fresh and original". See more »
When Spock puts the special detection patch on Kirk's shoulder, it is horizontal. But soon after, on the Klingon battle cruiser, it is vertical. See more »
Captain Hikaru Sulu:
Stardate 9521.6. Captain's Log, USS Excelsior. Hikaru Sulu commanding. After three years, I have concluded my first assignment as master of this vessel, cataloguing gaseous planetary anomalies in Beta Quadrant. We're heading home under full impulse power. I'm pleased to report that ship and crew have functioned well.
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At the beginning of the end credits, the signature of each of the principal cast members is written one by one as a final send-off for their characters. See more »
The network television version (for NBC) did not include the extra scenes found on the home video versions. It also excluded the theatrical scenes where Lt. Valeris mentions that "You men have work" and the entire scene where Kirk fights an alien prisoner. See more »
The journey that began on the small screen in 1967 comes to its end on the big screen in 1991, after three TV seasons, six films, and the creation of a cultural phenomenon unrivaled in the history of television. The crew of the original series had met with mixed results on the big screen, producing the excellent The Wrath of Khan, but also the inexcusably bad The Final Frontier; the other four ranged from passable to good. After the financial failure of Star Trek V, Paramount brought back Star Trek II director Nicholas Meyer, and commissioned from him the final voyage of the original cast. As Star Trek so often does, the events depicted mirror the glasnost of the late 1980s, as the collapse of the Soviet Union eased global tensions and heralded the beginning of a new era. In the Trek universe, the possibility of rapproachment between the Federation and the Klingon Empire raises the hackles of hardliners on both sides, and Kirk and co. must prevent the weak peace from being destroyed. The original cast is in fine form, all of them giving their all to make the (potentially) final appearances of their characters memorable. Despite William Shatner's reputation as a ham actor, he delivers a great performance here; his final log entry is one of Trek's finest moments. As the villain of the piece, we get General Chang (Christopher Plummer), a Klingon out to insure "no peace in our time". Plummer is superb, chewing scenery and spewing Shakespeare with a wonderfully loathsome presence. I would rank Chang below Khan and the Borg Queen, but far above all the other Trek villains. There are some tacky anachronisms typical of Meyer's style, and the usual amount of discontinuities and canon issues; but that's inevitable, and I can accept it if it leads to a good story. Trek VI is a good story. 9/10.
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