Gabriel (Demian Bichir) is a filmmaker in Mexico City, where he is a victim of crime and violence sometimes even three times a day. This is a black comedy that shows the extreme situation ... See full summary »
Luis Felipe Tovar
A Claustrophobic experience which involves a Mexican middle class family into the atrocities made by wild and heartless army forces whose main objective seems to be students who do not permit the 1968's Olimpic games' to develop normally.
Marina wins a paradise vacation for two, but when she realizes that she has no one to bring along, she decides to invite a stranger named Victor. The pair soon discovers that true love depends more on compatibility rather than idyllic scenery.
This comedic drama features two young couples, and another couple of old friends who reenter the two couples lives. The story takes place mostly in two apartments across the street from ... See full summary »
Luis Antonio, Jose Luis and Luis Manuel are back and seemingly at ease with each other. However, destiny still has something in store for them: the spawn of one of the evil Lopez, siblings Leon and Juan Simon, are looking for vengeance.
Yuppie and womanizer Tomas is caught in a trap when falsely diagnosed with A.I.D.S. by Silvia, a nurse who finds herself cheated by the young Casanova. Looking for a quick death (putting his head into a microwave oven) Tomas falls in love with Clarisa, a beautiful stewardess who is also suicidal because her boyfriend is having a love affair with a blonde stewardess from Continental Airlines.Written by
Maximiliano Maza <email@example.com>
"Solo con tu pareja" or "Love in the Time of Hysteria" is an at-times outrageously funny black sex comedy from director Alfonso Cuarón. Its themes include the possibility of finding true love and the impact of AIDS on people's sex lives and psyches. This was especially timely in 1991 when AIDS was only beginning to fully enter public consciousness, but of course, it remains an important issue. The story itself, although I won't go into details, is clever and fulfilling. The performance of the cast is very good, especially Daniel Cacho, who is very believable as the perennial casanova Tomás Tomás, and Claudia Ramírez, who plays the pert, sultry flight attendant, Clarisa. Reminding me of Nabokov's Humbert Humbert, Cuarón plays with double names of many characters, including the cut-up doctor Mateos Mateos and his wife Teresa de Teresa. The editing is done in such a way that the film felt lived-in, familiar, as if life was going on inside it. For instance, the first time we meet the doctor and his wife, Tomás calls them and we see them out of the window, showing that they live in an adjacent apartment and are good friends. The cinematography by Emmanuel Lubezki is beautiful, with very fine tracking shots, like the opening scene or in the woods at the wedding.
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