Laura and Martin have been married for four years. They seem to be the perfect, happiest and most successful couple. The reality of their house- hold, however, is very different. Martin is an abusive and brutally obsessed husband. Laura is living her life in constant fear and waits for a chance to escape. She finally stages her own death, and flees to a new town and new identity. But when Martin finds out that his wife is not dead he will stop at nothing to find and kill her.Written by
Sami Al-Taher <email@example.com>
When Martin is walking on the beach boardwalk, he cuts his foot on the glass that was broken by Laura earlier when she broke the lights that were mounted on a light pole. He then looks up at the light pole and sees the shattered bulbs from which the broken glass came from. But this makes no sense, because when Laura broke the lights earlier, it can be clearly seen that the boardwalk ENDS before the light pole where she breaks the lights, and the glass lands on the sand under it, not on the boardwalk several yards away. See more »
I can't live without you. And I won't let you live without me.
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To receive a 15 rating for UK cinema in 1991, the BBFC removed a minute of footage from the opening sex scene, which brought the film in line with the US theatrical version. This same cut version was passed for release on VHS later in 1991. The uncut version, with the longer sex scene intact, was passed for video release in 1992 with an 18 rating, before the film was re-rated for DVD in 2001 in its uncut form with a 15 rating. However the Blu-Ray release features the cut US theatrical print. See more »
Berlioz Symphonie Fantastique will never sound the same again!.
Laura marries Martin Burney who appears to be the perfect man, he is handsome and successful, yet the dream of the perfect man becomes a nightmare as Martin is a control freak who abuses her both physically and mentally. Once she decides enough is enough she plots her escape by way of faking her own death by drowning, a new life beckons, but she will always be looking over her shoulder to see if Martin finds out the truth and tracks her down.
Thus the vehicle for Julia Roberts pans out as your just above average thriller. It has some decent moments that keep it from drifting into tedium, the set up perfectly portrays the double life that some people lead, on the social circuit it appears the couple are happy and at one with each other, yet behind their own walls there is violence and the crushing of the spirit. The final third of the film is also well worthy of the word thriller, for the tension is nigh on unbearable as we slowly come to the conclusion, whilst Julia Roberts as Laura does a very tidy job as this sort of modern day princess escaping the evil clutches of her keeper. Must mention the great use of Berlioz's Symphonie Fantastique, it's eerie and impacts hard for the scenes it is used for.
Patrick Bergin plays his role well enough, it's just that his villainy is never fully realised, we see enough to know that what he does is wrong, yet it feels a bit too polished. Whilst a sequence that sees Laura dress up as a man is clearly the low point of the film, it really does stretch the viewers patience, and sadly insults their respective intelligence. It's a mixed bag that isn't quite a waste of time, it just doesn't leave you with anything other than a feeling of being semi fulfilled, shame as it could have been brilliant with a bit more bravery and brains in the script, 6/10.
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