A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.Written by
Rick Gregory <firstname.lastname@example.org>
Someone offered Jerry Delony two hundred dollars for the Batman shirt he wears in the film. See more »
The taxi cab that Linkletter's character gets into at the Trailways station is not the one he later gets out of near campus. The second one has a different unit number, a No Smoking sign, and a missing whitewall tire. See more »
Should Have Stayed at Bus Station:
[babbling to silent cab driver]
Man, I just had the weirdest dream - back on the bus there? Did you ever have one of those dreams that are completely real. I mean they're so vivid. It's just like completely real. It's like, there's always something bizarre going on, though. I have one about every 2 years or something. I always remember 'em real good. Like there's always someone getting run over, or something really weird. Um, one time I had lunch with Tolstoy. Another time I was a ...
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The title of Richard Linklater's deadpan debut feature describes a new generation of young, educated, aimless social misfits, part of a young neo-bohemian subculture of drifters, dreamers, and losers with no money, no ambitions, and no worries outside the occasional paranoid conspiracy theory. Their marginal lifestyle revolves around the concept of (in slacker vernacular) 'hanging out': eating, sleeping, watching TV, drinking coffee, and listening to the latest, local garage bands. But what they do best is simply talk, and the viewer is invited to eavesdrop on an extended series of hilarious soliloquies, anecdotes, and observations about politics, history, art, Smurfs, and UFOs, from a cast of nearly 100 genuine slackers pulled off the streets of Austin, Texas, apparently a hub of slackerdom. The film (not a documentary) is structured entirely around random encounters, methodically following one character after another, with no plot to interrupt all the verbal detours and digressions. It looks (and sounds) entirely improvised, but believe it or not was all carefully scripted and choreographed, and the result is one of the more unique and original American features of its time.
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