A day in the life of Austin, Texas as the camera roams from place to place and provides a brief look at the overeducated, the social misfits, the outcasts and the oddballs.
A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Director:
Richard Linklater
Stars:
Richard Linklater,
James Goodwin,
Dan Kratochvil
In small-town Texas, an affable mortician strikes up a friendship with a wealthy widow, though when she starts to become controlling, he goes to great lengths to separate himself from her grasp.
Director:
Richard Linklater
Stars:
Jack Black,
Shirley MacLaine,
Matthew McConaughey
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.Written by
Rick Gregory <rag.apa@email.apa.org>
The "Anti-Artist" in the bar about 3/4 through the movie is a prominent Austin musician and spoken word artist. Wammo is a founding member in the band the "Asylum Street Spankers". The spankers have released numerous CDs and Wammo has also released several solo CDs. His music/poetry are either artistic or anti-artistic depending on your taste. See more »
Goofs
In the pap smear scene the street sign for 2nd Street is facing the wrong way. See more »
Quotes
[first lines]
Should Have Stayed at Bus Station:
[babbling to silent cab driver]
Man, I just had the weirdest dream - back on the bus there? Did you ever have one of those dreams that are completely real. I mean they're so vivid. It's just like completely real. It's like, there's always something bizarre going on, though. I have one about every 2 years or something. I always remember 'em real good. Like there's always someone getting run over, or something really weird. Um, one time I had lunch with Tolstoy. Another time I was a ...
See more »
Crazy Credits
At the end of the credits, the usual disclaimer is replaced with: "This story was based on fact. Any similiarity with fictional events or characters is entirely coincidental." See more »
I walked into Richard Linklater's SLACKER not knowing for sure what to expect. I think that is the best way to experience this film. I wouldn't exactly put this film under 'Comedy', if I ran my own video store. I would invent the category 'Post-Film School Experimental Piece' and place it under that. Because that is just what it is, but don't let that repulse you. It is very interesting and has the power to warp you in what seems like one shot throughout a day and night in a college town of Austin, Texas.
The true life preserver of this film is the sure directorial hand and witty script of Linklater. I enjoy the matter-of-fact philosophy within the dialogue of Linklater movies, (DAZED & CONFUSED, BEFORE SUNRISE)it is especially heavy here. It's fun watching the weirdos in this movie, like the video-obsessed droid who prefers taped sequences over reality or the chick with Madonna's pap smear (eewww!!) But it's almost frightening when you come upon a character very much like yourself.
But the movie most successfully gives us a town populated by characters we actually believe are living their aimless life in front of us. Minute-by-minute plays that intricately connect into a long string of slacker beads. These characters belong to the counter-culture where neurosis comes naturally and there are hardly skeptics anywhere. Where conversations find the metaphysical levels of funny postcards.
Later in the future, we will trip upon this movie again and find it more as being a time capsule of the early 90s than a semi-experimental comedy by a director most known for his insights of the sub-culture living inside their own heads.
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I walked into Richard Linklater's SLACKER not knowing for sure what to expect. I think that is the best way to experience this film. I wouldn't exactly put this film under 'Comedy', if I ran my own video store. I would invent the category 'Post-Film School Experimental Piece' and place it under that. Because that is just what it is, but don't let that repulse you. It is very interesting and has the power to warp you in what seems like one shot throughout a day and night in a college town of Austin, Texas.
The true life preserver of this film is the sure directorial hand and witty script of Linklater. I enjoy the matter-of-fact philosophy within the dialogue of Linklater movies, (DAZED & CONFUSED, BEFORE SUNRISE)it is especially heavy here. It's fun watching the weirdos in this movie, like the video-obsessed droid who prefers taped sequences over reality or the chick with Madonna's pap smear (eewww!!) But it's almost frightening when you come upon a character very much like yourself.
But the movie most successfully gives us a town populated by characters we actually believe are living their aimless life in front of us. Minute-by-minute plays that intricately connect into a long string of slacker beads. These characters belong to the counter-culture where neurosis comes naturally and there are hardly skeptics anywhere. Where conversations find the metaphysical levels of funny postcards.
Later in the future, we will trip upon this movie again and find it more as being a time capsule of the early 90s than a semi-experimental comedy by a director most known for his insights of the sub-culture living inside their own heads.