FBI trainee Clarice Starling works hard to advance her career, while trying to hide/put behind her West Virginia roots, of which if some knew, would automatically classify her as being backward or white trash. After graduation, she aspires to work in the agency's Behavioral Science Unit under the leadership of Jack Crawford. While she is still a trainee, Crawford asks her to question Dr. Hannibal Lecter, a psychiatrist imprisoned, thus far, for eight years in maximum security isolation for being a serial killer who cannibalized his victims. Clarice is able to figure out the assignment is to pick Lecter's brains to help them solve another serial murder case, that of someone coined by the media as Buffalo Bill, who has so far killed five victims, all located in the eastern US, all young women who are slightly overweight (especially around the hips), all who were drowned in natural bodies of water, and all who were stripped of large swaths of skin. She also figures that Crawford chose ...Written by
After working with John Douglas for some time, Scott Glenn thanked him and said how fascinating it was to have been allowed into his world. Douglas laughed and told Glenn that if he really wanted to get into his world, he should listen to an audio tape of serial killers Lawrence Bittaker and Roy Norris torturing, raping, and murdering two teenage girls. Glenn listened to less than one minute of the tape, and has since said that he feels he lost a sense of innocence in doing so, and that he has never been able to forget what he heard. See more »
After Dr. Lector unlocks his handcuffs and puts them on Lt. Boyle, he then bites Sgt. Pembry just to the right of Sgt. Pembry's nose, leaving a noticeable wound. Later when Dr. Lector is in the ambulance wearing Sgt. Pembry's face, the wound is not there. See more »
The Silence of the Lambs, having accomplished the rare feat of winning all five of the major Academy Award categories, is a remarkable achievement in filmmaking. Gruesome, pulpish material was transformed by dedicated participants on all levels of production, and a film that would have failed in the hands of many others wound up becoming a modern masterpiece. Taut direction and a superb screenplay might be the best arguments for the film's power, but the flashiest are certainly delivered in the bravura performances of Hopkins and Foster. Their interplay -- and remember, they only share a handful of scenes together -- is nothing short of riveting.
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