Two famous competitive climbers make a bet on who can climb Cerro Torre, one of the most dangerous mountains in Argentina and the world, first. As the day of the climb approaches, their increasing competitiveness becomes destructive.
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A meeting of two world famous climbers, one an experienced mountaineer (Roccia), the other a sport climber (Martin), results in a bet on which of the two is the best climber. Roccia states that Martin wouldn't survive on a 'real' climbing expedition, although he is the indoor 'world champion'. Then they both plan to climb the 'Cerro Torre' in the Patagonia region of South America, near the Argentinian/Chilean border, one of the world's most difficult mountains, especially considering the extreme weather conditions in the area. The journalist Ivan, using the rivalry for media exploitation, is joining them and reporting. The rivalry among the two men results eventually in the death of a common friend. Martin claims to have been at the top of 'Cerro Torre', but can't proof it. Then Martin 'steals' Roccia's girlfriend (Katrina), who feels lonely and under appreciated by Roccia. After some time the two men meet again at 'Cerro Torre' and the rivalry results in a 'climb against time' in ...Written by
This film had it's world premiere at the Telluride Film Festival in 1991, with Werner Herzog in attendance. He explained, during his introduction to the film, that they hadn't had time yet to add subtitles for the couple of scenes with Spanish dialog. During these scenes, Herzog himself, shouted out from the theater audience, the English translation of the lines spoken in Spanish. See more »
During Roccia's climb of Cerro Torre, in the scene immediately following the blizzard, several crew members can be seen in the reflection of his goggles. See more »
The old..."finger snatcher". I'll tell you one thing. No one ever never will get to the top. I'll tell you why. Because Cerro Torre is not a mountain. It's a scream of stone. Yeah.
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Many approaches to climbing issues, in a Nouvelle Vague atmosphere.
Herzog succeeds to show simultaneously several issues related to climbing.
The issue of the spectator: he is rather driven by roman circus spirit than by olympic ideals. The issues of the media: if there is an audience, there is money. The issues of the climbers: they are described as a king of athlete driven by a competitive spirit which allow betting its own life to reach a summit. The outdoors views of the famous Cerro Torre are beautiful and rare.
Some spectators might feel bored by the way the film is conducted. Actually, this conduction reminds some Nouvelle Vague issues and many spectators felt bored by films directed by monsters of the Nouvelle Vague like Antonioni, Goddard etc... C'est la vie.
Yet, Cerro Torre: Schrei aus Stein deserves to be seen by those who appreciate Herzog cinema.
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