Good and evil scanners combatting when a crooked politician schemes to gain control of a major city. Scanners are people who, because their mothers had taken a certain drug during pregnancy, have acquired telepathic powers. One scanner escapes from a mental center and is hired by the politician to use his powers to gain control of others minds, and then, their actions.Written by
The power ballad "Mind to Mind" that plays during the end credits was written & produced by the legendary Canadian hair band Aldo Nova best known for their hit single "Fantasy". See more »
[is finally killing Commander John Forrester with scanner powers, suddenly stops]
No more killing. We didn't want this.
[to the press]
We mean you no harm. Just here to help.
See more »
To appease the MPAA, which was being particularly critical of horror movies during that era, the filmmakers shot numerous variations of scenes to enable them to create R-rated, unrated and TV edits of the film. See more »
Mind to Mind
Written by Aldo Nova & Marty Simon
Performed by Alan Jordan
Courtesy of ATV Music / Polygram Music Publishing Inc. See more »
Not a patch on the original
I know, from looking at other people's reviews, that there are some who feel that this is an 'okay' sequel to David Cronenberg's classic eighties horror flick 'Scanners.' And, maybe it was... once upon a time. However, there are those films that stand the test of time and then there are those who do not age well. I feel this is the latter.
It's about more of those psychics (or 'scanners' as they call them here). A corrupt police chief wants to harness their unnatural power to end crime (and generally make himself equally powerful). But, after years of experimenting on boring scanners who no one cares about, he finds lovely, nice scanner 'David' to exploit. But, luckily for all that is good, David is too nice to be used and sets about ending this corrupt cop's regime before it really starts.
Whereas you can watch Star Wars and not be bothered by the 'seventies haircuts' Han and Luke are sporting, here, everything just seems waaaay too eighties (which is doubly ironic as it's made in 1990).
But it's not just the look of the film I disliked - it's also the story. Everything just happens to fit together waaay too well to be believable. It's one coincidence and obvious plot-motivating device after the next. The (seemingly-mandatory) love story is quite unnecessary and forced, plus the characters either under-act or overact (and I'm thinking about the 'bad scanner' when I mention overacting - he's practically a pantomime villain he's that nasty!). Yes, there's the odd bit of decent gore, but that's a small part of an 1 hour 40 minute film.
Maybe this was an okay film in the eighties, or if you've never seen the original, but, if you're looking for dark and nasty horror, stick to the first Scanners - it's head and shoulders over this one.
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