A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.
- Director
- Writers
- Dave Stevens(graphic novel "The Rocketeer")
- Danny Bilson(story)
- Paul De Meo(story)
- Stars
Top credits
- Director
- Writers
- Dave Stevens(graphic novel "The Rocketeer")
- Danny Bilson(story)
- Paul De Meo(story)
- Stars
- Awards
- 1 win & 6 nominations
Billy Campbell
- Cliff
- (as Bill Campbell)
Robert Miranda
- Spanish Johnny
- (as Robert Guy Miranda)
- Director
- Writers
- Dave Stevens(graphic novel "The Rocketeer")
- Danny Bilson(story) (screenplay)
- Paul De Meo(story) (screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Gee Bee racer was nicknamed "The Widowmaker" and "The Flying Coffin" because it was incredibly difficult to fly and was prone to crashing. Because of its speed and maneuverability, some pilots still raced it despite the danger.
- GoofsSet in 1938 but mentions the Deutschmark, which weren't introduced as the West German currency until 1948. German currency, up to and including the Nazi era, was the Reichsmark. The term "Deutschmark" may have been used, despite the anachronism, for its double-D alliteration, as Campbell's line is "He pay you in dollars, or Deutschmark?"
- Quotes
Neville Sinclair: [on the road leading to the Griffith Observatory] C'mon, Eddie. I'm paying you well. Does it really matter where the money comes from?
[siding with the G-men to fight the Nazis]
Eddie Valentine: It matters to me. I may not make an honest buck, but I'm 100% American. I don't work for no two-bit Nazi. Let the girl go!
[Neville laughs, then calls out - in German - a group of hidden armed Sturmabteilung German soldiers who promptly hold everyone at gunpoint]
- SoundtracksDer Hoelle Rache
from Queen of the Night's "Aria" by Wolfgang Amadeus Mozart
Performed by Rundfunk Sinfonieorchester Berlin
Courtesy of Laserlight Digital, by arrangement with Sounds of Film
Review
Featured review
I may not make an honest buck, but I'm 100% American. I don't work for no two-bit Nazi.
Rocketeer is directed by Joe Johnston and co-written by Danny Bilson, Paul De Meo and William Dear. It is based on Dave Stevens' comic book The Rocketeer. It stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton and Paul Sorvino. Music is scored by James Horner and cinematography by Hiro Narita.
It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings.
The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords.
A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings.
The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords.
A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
helpful•143
- hitchcockthelegend
- Jun 1, 2012
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Le Rocketeer
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $46,704,056
- Opening weekend US & Canada
- $9,600,754
- Jun 23, 1991
- Gross worldwide
- $46,704,056
- Runtime1 hour 48 minutes
- Aspect ratio
- 2.39 : 1
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