In this sequel to The Blue Lagoon (1980), two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become suntanned teenagers in love.
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of ...Written by
Alone... wild... untamed... On an uncharted island, two young castaways have uncovered the mysteries of life. Now he must rescue her from the one thing that can destroy their love... civilization. See more »
Milla Jovovich said of this movie, "I think that the idea of falling in love on a deep and spiritual level without the distractions of the material world will always be appealing." See more »
When the Tradewind arrives at the island, Captain Hillard says, "Keep them in your sights. They may not be civilized.", to which Richard replies, "Civilized. C-I-V-I-L-I-Z-I-D." See more »
1897 - Fifteen years before our story begins, two children were shipwrecked on an uncharted island. The little boy and girl grew up alone in this lost paradise. As man and woman, they discovered a pure and natural love. In time, a child was born. But in a tragic accident, they were driven out to sea away from their island. Drifting for days, they believed that their lives and the life of their baby were at an end. Then a passing vessel drew near...
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Both the US pan & scan DVD and the European wide screen DVD are reframed to cut out Lilli's breast in the scene where she's looking at herself in the mirror. The older VHS releases showed her nipple at the very bottom of the screen. See more »
The Bad: - Disregards the plot from The Blue Lagoon - Sexual "overtones" rather than "undertones" - More an attempt at capitalizing on the popularity of the original than an extension of the latter's story
There aren't many situations that manage to capture the imagination as does watching two children blossom into young adults isolated from civilization on a dessert island. The Blue Lagoon's charm was the unadulterated depiction of the purity and innocence of mind that "civilized" society deprives us. It was the forgotten image of what children are all doomed to lose as they experience life based on societal dictates rather than the nature we are all born with.
Return to the Blue Lagoon re-examines these themes, if under the somewhat greater taint of society's teachings. In this way, the purity of the characters of Return is not as pure, the innocence not as innocent. Although the opening sequence makes quick work of any attachment to the original, Return was a decent film in its own right. Fans of the original will inevitably find it difficult to resist the sequel. The trick will be mentally disregarding it, should it prove more unsettling than fulfilling.
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