In this sequel to The Blue Lagoon (1980), two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become suntanned teenagers in love.
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
After a man finally gets over his former girlfriend, who has moved to Los Angeles and become a television star, and falls in love with another woman, the former girlfriend's show is canceled and she wants him back.
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of ...Written by
In a secluded paradise... surrounded by a coral sea, a boy and a girl grew up alone. Now they are experiencing the first awakenings of love. A love that can only be threatened... by discovery. See more »
The name of the ship that visited the island was "TRADEWIND" whilst the name of the small sail boat was "LA VOLANTE". See more »
When the Tradewind arrives at the island, Captain Hillard says, "Keep them in your sights. They may not be civilized.", to which Richard replies, "Civilized. C-I-V-I-L-I-Z-I-D." See more »
1897 - Fifteen years before our story begins, two children were shipwrecked on an uncharted island. The little boy and girl grew up alone in this lost paradise. As man and woman, they discovered a pure and natural love. In time, a child was born. But in a tragic accident, they were driven out to sea away from their island. Drifting for days, they believed that their lives and the life of their baby were at an end. Then a passing vessel drew near...
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Both the US pan & scan DVD and the European wide screen DVD are reframed to cut out Lilli's breast in the scene where she's looking at herself in the mirror. The older VHS releases showed her nipple at the very bottom of the screen. See more »
RETURN TO THE BLUE LAGOON, made 11 years after the successful first film, is one of those movies that's happy to reprise the plot of the original while adding a few twists and tweaks of its own. It's an entirely superfluous kind of film that sees yet another couple of kids washed up on a desert island and having to fend for themselves against nature and their fellow man.
There are a few differences here - the adult with them is a woman, the boy is the son of the couple from THE BLUE LAGOON, they're staying in the same place so make use of the already-there house, etc. - but none of them make a difference. Once again the film is all about puberty, isolation, love and family, except as it's not original it feels like a lukewarm rehash of the first movie.
The acting doesn't really sit right either. The age gap between Milla Jovovich and Brian Krause is too obvious, and Krause is as equally wooden as Christopher Atkins before him. Jovovich definitely has something feral within her, but less use is made of that as in THE FIFTH ELEMENT, which handled her unique qualities perfectly. Director William A. Graham made a career of TV movies and although RETURN TO THE BLUE LAGOON had a theatrical release, it feels very much like a second-rate outing in every respect.
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