Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
Henry is a lawyer who survives a shooting only to find he can't remember anything. As if that weren't enough, he also has to recover his speech and mobility, in a life he no longer fits into. Fortunately, he has a loving wife and daughter to help him.Written by
In his episode of "Inside the Actor's Studio," Harrison Ford stated that while doing research for his role as Henry, he met a real life lawyer who had a similar experience to the character after a car crash. The man told him that, like Henry, his job had made him a very bitter person, estranged from his family, and had suffered severe brain damage from his accident. He told him that the experience had changed him and helped him to become, according to Ford, "a different person". See more »
When Henry's secretary pours his coffee the first time he comes back to the office, she tells him to say "when" and start pouring the milk. It immediately comes to the top but she continues to pour. Next you see a close-up of the cup with her pouring even more in the cup but it's not at the top. See more »
[Henry flicks a wad of paper at Rachel in the library]
Dad, stop it!
[He flicks another wad of paper at her]
Dad, I'm serious!
I know. Very.
See more »
Regarding Henry is about a man who projects a cold, emotional shell and seems as if he cares nothing for anyone but himself, full of malice that seems like simple inconsideration, a self-centered cockiness, and an extreme difficulty with allowing mutual understanding amongst those close to him, especially his uneasy wife and unhappy daughter. When he is shot incidentally in a robbery, because his emotional shell drops for no one, not even an armed thug in a convenience store, he recovers over the course of a few months, with serious brain injury, reverting him to an almost childlike state, thus a primal, basic form of himself, and a truly sensitive, caring person emerges, completely naive to the value system of his former self. His barefaced heart wrenched by all the decisions and actions he made leading up to the incident, he intends to fix them.
This is a wonderful premise and even more truthful and honest about the human condition that one may think, but to be honest, it is plagued by an almost unbearable lightness. A story this emotionally stimulating needs weight, further development, a script untouched by formula, and all these needs were fulfilled, the film would be yet even more fulfilling and the moral of the film would be less obvious and more provoking of insight and thought. I think it's a good movie, and tears will be shed, but in its requirements that had to be reached for fear of mainstream rejection or misunderstanding, not enough tears were should and it is left in a condition where its full potential is not reached.
Just as Mike Nichols, in the midpoint of his career around this film's time of release, began giving his films less atmosphere, less edge, less intensity (which would later return with films like Primary Colors and Closer), Harrison Ford's performances are normally quite stilted, even if he tends to be in very enjoyable movies, many of them classics. In Regarding Henry, he delivers one of his very finest, really feeling his character deeply and expressing emotion very realistically and compassionately.
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