Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks.Written by
Make sure that you are not tired when watching this film. Although this film introduces some outstanding performances by some little known actors, the film falls short. One of the three short stories of the film is shot in black and white and is strangely reminiscient of David Lynch's masterpiece "The Elephant Man." When Dr. Graves is ordered out to the fire-escape, I was just waiting for him to shout, "I'm not an animal; I'm a human being." The prisoner story, unlike the black and white story, is full of emotion and intensity. Issues such as homosexuality, abuse, and longing for love are enmeshed in this tale. The third story is shot documentary style. An unseen interviewer questions neighbors, family, and friends about the events leading up to the shooting and death of an abusive father. This movie will intrigue you, confuse you, and bother you. It's worth a watch.
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