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Title: Poison (1991)
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| Cast overview, first billed only: | |||
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Edith Meeks | ... | Felicia Beacon |
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Millie White | ... | Millie Sklar |
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Buck Smith | ... | Gregory Lazar |
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Anne Giotta | ... | Evelyn McAlpert |
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Lydia Lafleur | ... | Sylvia Manning |
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Ian Nemser | ... | Sean White |
| Rob LaBelle | ... | Jay Wete | |
| Evan Dunsky | ... | Dr. MacArthur | |
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Marina Lutz | ... | Hazel Lamprecht |
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Barry Cassidy | ... | Officer Rilt |
| Richard Anthony | ... | Edward Comacho | |
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Angela M. Schreiber | ... | Florence Giddens |
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Justin Silverstein | ... | Jake |
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Chris Singh | ... | Chris |
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Edward Allen | ... | Fred Beacon |
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks. Written by <jhailey@hotmail.com>
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31 Days of Spookoween: DAY ELEVEN
Film #11: Poison (1991)
Review: It feels both right and wrong to classify Todd Haynes' brilliant feature film debut "Poison" as a horror film. It is unlike any other film that would fit into the genre (although one of its three segments obviously replicates the sci-fi/horror B-Movies of the 1950's), and yet it is still spine tingling and disturbing and, in all honestly, occasionally horrific. But, it is many other things as well, a long list of adjectives taking up line after line could easily be the remainder of this very review. One moment may have some fittingly mild black comedy, while the next may be a poignant love scene, while the nest may be gripping, while the next may be terrifying, while the next may be madly surrealistic. It's deftly unpredictable and oddly engaging, not a minute is wasted and the pacing feels like a gentle breeze that suddenly morphs into a Hellish blaze of howling wind.
Back in the early 90's when the film was first released, it was rather infamous. Hotly debated and heavily controversial, the film was met with outrage from some, and a totally unreasonable NC-17 rating from the MPAA. Yes, it is true that this film tackles heavy themes, particularly those that deal frankly and explicitly with homosexuality, and there are some brief flashes of rather strong sexual imagery, but the film never dwells upon anything that is at all "obscene" or "vulgar". Often, these "dirtier" sequences evoke a feeling much different than lust...they evoke feelings of pain and heart ache and horror and beauty, there's never the sense that what you're watching is in any way "filth"; no, everything feels tasteful and necessary and meaningful, and this creates an experience filled with enigmas and experiments and romances and an overall entirely unique expression of the pains, pleasures, and paranoia that comes with human sexuality.