The gruesome murder of a Brooklyn Detective will turn the case into a personal vendetta when the deceased's best friend and fellow officer will unleash an all-out attack against a psychotic Mafia enforcer's brutal gang.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Don Michael Paul
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad daylight on 18th Avenue in front of his wife Laurie Lupo and his two kids by drug kingpin Richie Madano, who has been Gino and Bobby's enemy since childhood. As Gino is hunting Madano down, Gino discovers the motive behind Bobby's murder. This is when Gino's hunt for Madano leads to the showdown of a lifetime.Written by
Todd Baldridge <email@example.com>
Steven Seagal declared in an interview that the movie's bar brawl was his personal favorite among all fight scenes he's done. See more »
When Gino encounters Richie for the final fight, we see Richie coming out of the bathroom, holding a gun on his head. The white cup in front of the lamp is gone, but was visible in the previous shot. See more »
The Australian free to air version was heavily edited for violence and coarse language when screened on Channel 9 in order to meet the standards for an M classification to be screened at 8:30pm. Some small scenes are even edited out all together as they were deemed too violent for television. Later broadcasts have relaxed their classification standards and the movie has been screened at a later time for a MA15+ or AV15+ classification. See more »
This is Steven Seagal's best movie. In it, he actually wrestles with the character he plays, and comes up with a dramatic performance that, while no Brando, is still quite believable.
This is a very violent film. It is also a very troubling film. William Forsythe - who also turns in a better than average performance - plays a lower-rung mob boss who, strung out on crack and finding his girl-friend cheating on him, turns psychotic and suicidal. Not a good mix - he starts blowing people away just because they irritate him a little.
The film is also an attempt to deal with the continuing fragmentation of neighborhood communities that were once the heart and soul of larger cities. The community is preserved, but only tentatively - the seeds of its eventual collapse have clearly been planted. The extreme violence of the film thus becomes the manifestation of a unresolvable frustration with the tensions of a community falling apart.
All this adds up to a surprisingly complex Steven Seagal action film that will haunt you long after the closing credits.
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