Three blue-collar acquaintances come across millions of dollars in lost cash and make a plan to keep their find from the authorities, but it isn't long before complications and mistrust weave their way into the plan.
Billy Bob Thornton,
2 firemen in a burning building get a treasure map. Stolen gold church items are hidden in a closed down factory in St. Louis. Once there, they're trapped in by a black gang considering it their territory. Lots of shooting.
Rural Texas, 1960 -- An age of good times and innocence, when growing up was supposed to be easy. Six high school seniors know the terrible secret that will make the difference in the ... See full summary »
In Los Angeles, after a violent drug rip-off, the Los Angeles Police Department detectives find the identity of the trio - the sadistic I.Q. of 150 and college graduate Lenny "Pluto" Franklyn; his not so bright buddy in San Quentin Ray Malcolm; and his girlfriend Fantasia. Their further investigation indicates that the criminals are fleeing to Star City, Arkanas, and LAPD detective Dud Cole and his partner John McFeely contact the local Chief of Police Dale 'Hurricane' Dixon and they head to the little town. The yokel family man Dale, who is used to resolve domestic issues, is fascinated with the chance to participate of a manhunt and befriends the two detectives. But when he sees the picture of Fantasia, he recognizes her as Lila Walker and is haunted by his past, hiding a secret about Lila Walker.Written by
When Pluto staggers out of the house and dies he is face down, but when the detective arrives to check him, he is face up. See more »
Fantasia - Lila:
Me and my brother's daddy was white, did you know that? Of course, we never knew him. He had another family. That's why I kind of look white. Because my daddy was white. You figured since I kind of look white, you could fuck me, what the hell... Because I was kind of black... you could dump me, what the hell.
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Three criminals pull off a cash and drug heist in LA, which results in the sadistic and brutal murders of six people. The crooks are Fantasia (Cynda Williams), a bad girl with a soft spot. She got pregnant in her teens and got talked into the robbery by her boyfriend Ray Malcolm (Billy Bob Thornton) who is a paranoid and violent psychotic. Yet throughout the course of events, Fantasia wants to go back home to Star City and see her little boy (something that ultimately contributes to her downfall). The third member of the gang is Pluto (Michael Beach), a would be intellectual crime boss whose personality varies between being a cold and sadistic killer with a passion for knives and a cool calm and collected crook who won't kill unless he has to. Having pulled off the job they decide to make for Phoenix Arizona in order to sale the drugs and split the money. However, things are complicated by Fantasia wanting to go home and more blood is shed along the way.
ONE FALSE MOVE is a neglected gem. It marked the feature-film debut of American director Carl Franklin who takes a run-of-the-mill cops and robbers yarn and wisely places the emphasis on character. He is most ably assisted in this by a largely unknown but solid cast who give their director maximum effort in every scene. Williams, Thornton (who also co-wrote the script) and Beach are excellent as the three gangsters while Bill Paxton is also excellent as Hurricane the Star City cop entrusted with the task of helping the LA police track the gang down. The film got a very poor release at the time and it was even denied the film a screening at the Sundance Film Festival and it was dismissed as too violent. The film starts off quite violently but once it gets going the emphasis is on good old fashioned character study, but because of it's failure to reach the Sundance festival it wasn't picked up by a major distributor and it more or less went straight to video. Director Carl Franklin has done very little since apart from DEVIL IN A BLUE DRESS with Denzel Washington, a crime thriller that was well received by the critics but didn't take on with the public. Billy Bob Thornton, however, has since become an international star appearing in such modern classics as A SIMPLE PLAN (1999) and the Coen Brothers' sublime black and white noir film THE MAN WHO WASN'T THERE (2001).
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