Night on Earth (1991)

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

Director:

Jim Jarmusch

Writer:

Jim Jarmusch

Stars:

Winona Ryder, Gena Rowlands, Lisanne Falk

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Gena Rowlands	...	Victoria Snelling (segment "Los Angeles")
Winona Ryder	...	Corky (segment "Los Angeles")
Lisanne Falk	...	Rock Manager (segment "Los Angeles")
Alan Randolph Scott	...	Rock Musician #1 (segment "Los Angeles")
Anthony Portillo	...	Rock Musician #2 (segment "Los Angeles")
Armin Mueller-Stahl	...	Helmut (segment "New York")
Giancarlo Esposito	...	YoYo (segment "New York")
Rosie Perez	...	Angela (segment "New York")
Richard Boes	...	Cab Driver #1 (segment "New York")
Isaach De Bankolé	...	Driver (segment "Paris")
Béatrice Dalle	...	Blind Woman (segment "Paris")
Pascal N'Zonzi	...	Passenger #1 (segment "Paris") (as Pascal Nzonzi)
Emile Abossolo M'bo	...	Passenger #2 (as Émile Abossolo-M'bo)
Stéphane Boucher	...	Man in Accident (segment "Paris") (as Stephane Boucher)
Noel Kaufmann	...	Man on Motorcycle (segment "Paris")

Storyline

A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death.

---

Plot Keywords:

taxi | episodic structure | immigration | night | anthology | 

---

Taglines:

Five Taxis. Five Cities. One Night.

---

Genres:

Comedy | Drama

---

Motion Picture Rating (MPAA)

Rated R for violence, language, and some drug use

Details

Country:

France UK Germany USA Japan

Language:

English French Finnish Italian German

Release Date:

12 December 1991 (Germany)

Also Known As:

LANewYorkParisRomeHelsinki

Filming Locations:

Finland

Box Office

Budget:

$3,500,000 (estimated)

Gross USA:

$2,015,810

Company Credits

Production Co:

Victor Company of Japan (JVC), Victor Musical Industries, Pyramide Productions

Technical Specs

Runtime:

129 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This was Gena Rowlands first film after the death of her husband, John Cassavetes. Several of their mutual friends, including Ben Gazzara and Peter Falk, visited the set to see how she was coping.

---

Goofs

This film takes place sometime during the winter, and the opening story takes place in Los Angeles starting at 7:07 PM. At no time during the winter would Los Angeles be this sunny at 7:07 PM. In fact, the latest time of day the sun would set during the winter would be at 6:07 PM on March 20, the last day of winter. (Currently, March 20 would occur during Daylight Savings Time, but, in 1991, Daylight Savings Time did not begin until April.)

---

Quotes

Blind Woman: Listen, jerk-off, I can do anything you can and a lot of things you'll never do. I'm blind, that's all.
Paris Driver: You can't drive a car, for example.
Blind Woman: And you can?

---

Crazy Credits

During the end credits, the titles of the crew members are in the language of the place/unit they worked in (ie the Helsinki unit's credits are in Finnish, and so on).

---

Connections

Referenced in Noch' Naprolyot (2011)

---

Soundtracks

Back in the Good Old World
Written by Tom Waits and Kathleen Brennan
Produced by Tom Waits
Arranged by Tom Waits and Francis Thumm
Jalma Music, Inc.
Administered by Ackee Music, Inc. (ASCAP)
Tom Waits performs courtesy of Island Records, Inc.

User Reviews

each vignette good in a different way

I suppose people will typically talk about they loved the NY and Rome stories, but hated the Helsinki segment, or vice-versa, or whatever. This probably comes from thinking of the entire movie as belonging to a single genre--drama, comedy, satire. If you take each story by itself, though, with an open mind, you will find yourself being entertained (mostly) in five different ways. Although of course we will all have our favorites.

I wondered briefly why there wasn't a segment set in Hong Kong, Singapore, Japan--to make it truly global. Of course it wouldn't be night at the same time on that side of the world. Jarmusch should have done it anyway.

Some think the movie is too long. But this is obviously a movie you don't need to watch in a single sitting; indeed, for the reason stated above, it's perhaps best watched a little at a time.