A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death.Written by
Ed Sutton <firstname.lastname@example.org>
Cinematographer Fred Elmes said that the best thing about shooting overnight in Paris was that the bakeries would just be opening as the crew wrapped every morning. So he could cap of his work day with a cup of coffee and a nice, fresh pastry. See more »
Corky opens the trunk through the missing rear window, but from the inside of the car it appears that the window is not missing. See more »
Jim Jarmusch does an excellent job in creating character conflict and intriguing, realistic dialogue. But what I admire most in this movie are the opening scenes of every segment. He knows how to capture the essence of every city and how to establish mood. National Geographic has nothing over Jarmusch's photographic talent.
All segments are well written and tie in with the respective cities that are the back drop of the film: LA, NY, Paris, Rome and Helsinki. The Helsinki segment is the most depressing and it's kind of a bummer that the movie had to end on that note. The Paris segment steals the show. Incredible camera work and terrific dialogue.
Overall, the movie gave me a renewed appreciation for cinema. Thanks Jarmusch.
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