| Cast overview, first billed only: | |||
| Gena Rowlands | ... | Victoria Snelling (segment "Los Angeles") | |
| Winona Ryder | ... | Corky (segment "Los Angeles") | |
| Lisanne Falk | ... | Rock Manager (segment "Los Angeles") | |
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Alan Randolph Scott | ... | Rock Musician #1 (segment "Los Angeles") |
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Anthony Portillo | ... | Rock Musician #2 (segment "Los Angeles") |
| Armin Mueller-Stahl | ... | Helmut (segment "New York") | |
| Giancarlo Esposito | ... | YoYo (segment "New York") | |
| Rosie Perez | ... | Angela (segment "New York") | |
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Richard Boes | ... | Cab Driver #1 (segment "New York") |
| Isaach De Bankolé | ... | Driver (segment "Paris") | |
| Béatrice Dalle | ... | Blind Woman (segment "Paris") | |
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Pascal N'Zonzi | ... | Passenger #1 (segment "Paris") (as Pascal Nzonzi) |
| Emile Abossolo M'bo | ... | Passenger #2 (as Émile Abossolo-M'bo) | |
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Stéphane Boucher | ... | Man in Accident (segment "Paris") (as Stephane Boucher) |
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Noel Kaufmann | ... | Man on Motorcycle (segment "Paris") |
A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Written by Ed Sutton <esutton@mindspring.com>
Jim Jarmusch does an excellent job in creating character conflict and intriguing, realistic dialogue. But what I admire most in this movie are the opening scenes of every segment. He knows how to capture the essence of every city and how to establish mood. National Geographic has nothing over Jarmusch's photographic talent.
All segments are well written and tie in with the respective cities that are the back drop of the film: LA, NY, Paris, Rome and Helsinki. The Helsinki segment is the most depressing and it's kind of a bummer that the movie had to end on that note. The Paris segment steals the show. Incredible camera work and terrific dialogue.
Overall, the movie gave me a renewed appreciation for cinema. Thanks Jarmusch.