Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death.Written by
Ed Sutton <email@example.com>
You may all rest easy about Helmut's fate. Before he drops Yo-Yo and Angela off, he drives down Flatbush Avenue in Brooklyn. In the last shot, though, he is driving up 4th Avenue toward the Williamsburg Bank clock (you can see it in the middle of the screen), so he is, indeed, going in the right direction to get back to Manhattan. See more »
Cameras and studio lights are very visible in the sunglasses of the drivers in Los Angeles and Rome. See more »
If you fuckin' stop talkin' to me then you won't have to hear my fuckin' mouth. So, why don't you just shut the fuck up and then I won't have to be talkin' all the time, you stupid idiot.
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During the end credits, the titles of the crew members are in the language of the place/unit they worked in (ie the Helsinki unit's credits are in Finnish, and so on). See more »
I suppose people will typically talk about they loved the NY and Rome stories, but hated the Helsinki segment, or vice-versa, or whatever. This probably comes from thinking of the entire movie as belonging to a single genre--drama, comedy, satire. If you take each story by itself, though, with an open mind, you will find yourself being entertained (mostly) in five different ways. Although of course we will all have our favorites.
I wondered briefly why there wasn't a segment set in Hong Kong, Singapore, Japan--to make it truly global. Of course it wouldn't be night at the same time on that side of the world. Jarmusch should have done it anyway.
Some think the movie is too long. But this is obviously a movie you don't need to watch in a single sitting; indeed, for the reason stated above, it's perhaps best watched a little at a time.
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