Naked Lunch (1991)

After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.

Director:

David Cronenberg

Writers:

William S. Burroughs (novel), David Cronenberg

Stars:

Peter Weller, Judy Davis, Ian Holm

13 wins & 13 nominations.

Cast

Cast overview, first billed only:
Peter Weller	...	Bill Lee
Judy Davis	...	Joan Frost / Joan Lee
Ian Holm	...	Tom Frost
Julian Sands	...	Yves Cloquet
Roy Scheider	...	Dr. Benway
Monique Mercure	...	Fadela
Nicholas Campbell	...	Hank
Michael Zelniker	...	Martin
Robert A. Silverman	...	Hans
Joseph Scoren	...	Kiki (as Joseph Scorsiani)
Peter Boretski	...	Creature Voices / Exterminator #2
Yuval Daniel	...	Hafid
John Friesen	...	Hauser
Sean McCann	...	O'Brien
Howard Jerome	...	A.J. Cohen

Storyline

Not an adaptation of beat writer William S. Burrough's novel but a mix of biography and an interpretation of his drug- induced writing processes combined with elements of his work in this paranoid fantasy about Bill Lee, a writer who accidentally shoots his wife, whose typewriter transforms into a cockroach and who becomes involved in a mysterious plot in North African port called Interzone. Wonderfully bizarre, not unlike Burrough's books.

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Plot Keywords:

secret agent | lynchian | psychological disintegration | reality vs fantasy | repressed homosexual | 

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Taglines:

David Cronenberg and William S. Burroughs invite you to lunch.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for heavy drug content, bizarre eroticism, and language

Details

Country:

Canada UK Japan

Language:

English Arabic

Release Date:

24 April 1992 (UK)

Also Known As:

David Cronenberg's Naked Lunch

Filming Locations:

Toronto, Ontario, Canada

Box Office

Budget:

$16,000,000 (estimated)

Gross USA:

$2,541,541

Company Credits

Production Co:

Recorded Picture Company (RPC), Téléfilm Canada, Ontario Film Development Corporation

Technical Specs

Runtime:

115 min

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

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Goofs

The glass shot off Judy Davis' head changes to a plastic glass. First instance as the glass is falling off her head after the shot and then at end of film it is a plastic glass Ms Davis balances on her head. It remains plastic until it falls to floor and changes back into glass.

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Quotes

[first lines]
Bill Lee: Exterminator.

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Connections

Referenced in Kick of Death (1997)

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Soundtracks

Intersong
Composed by Ornette Coleman
Performed by Ornette Coleman (as The Ornette Coleman Trio)

User Reviews

And Here I Thought "Fear & Loathing" Was a Trip

"Exterminate all rational thought. This is the conclusion I have come to".

So says Bill Lee, the central character of David Cronenberg's adaptation of William Burroughs' bizarre novel "Naked Lunch". The film takes the novel, replaces the characters with Burroughs, his family, and his friends, and then gives them all the names of characters from the book anyway. Once you sort that conundrum out and stop thinking rationally you can begin to understand the film. But only begin. I don't think there is any way to fully understand "Naked Lunch".

Bill Lee is an exterminator who, along with his wife, has become addicted to bug repellent powder. One night, while on a bit of a bender, Bill accidentally shoots his wife, Joan, in the head during a game of William Tell. Following this, he uses the powder to go on a seemingly endless trip, ripe with sinister cabals, talking bugs, and journalistic endeavors.

What the film theorizes is that this is actually the tale of how Burroughs wrote the book "Naked Lunch". Indeed, Burroughs did shoot his wife the way Bill does in the movie, but one wonders if Burroughs actually went on the trip we see in the film. "Naked Lunch" is akin to "Fear and Loathing in Las Vegas" in it's over-the-top depiction of drug use as literary inspiration. "Naked Lunch" is actually a bit weirder to me than "Fear and Loathing", but I guess that's the same as saying one Queer Eye Guy is gayer than another. How can you be sure and, in the end, what's the difference? I'll skip over trying to compare Burroughs' trip to Dr. Thompson's. I think my brain would explode if I tried.

David Cronenberg, cinematic master of the macabre, struck gold with "Naked Lunch". Here we have one of Cronenberg's most fully realized fantasies. It's sick, disturbing, and confusing and, in these ways, it almost reaches the level of "VideoDrome", Cronenberg's true masterpiece and the most outright disturbing film I've ever seen. The creatures that Cronenberg dreamed up (based, of course, on Burroughs' warped ideas) are incredible. The seven-foot-tall Mugwumps (modeled after the physical appearance of Burroughs) creeped me out, and the half-beetle/half-typewriter creatures with talking sphincters are some of the grossest creatures I've ever seen on screen. These are things that Cronenberg delights in.

Peter Weller finally escaped from the shadow of "RoboCop" with this film. Ironically, the characters are similar. Both Robo and Bill Lee are monotone speaking, emotionless people. The difference being that Robo is made from forklift parts held together with duct tape and glue and Bill is human. Or at least I think he is. Nothing is certain in "Naked Lunch". Weller captures William Burroughs expertly. Judy Davis shows her range in the dual role of Joan Lee, Bill's wife, and Joan Frost, Bill's imagined lover. Joan Lee is drug-addled and loose; Joan Frost is uptight and needs to be taught how to be free. Davis makes the two women so different that it's almost impossible to tell it's the same actress in both parts.

If you like Burroughs, see this film. If you like Croneberg, see this film. If you want a simple, pleasant film...stay far away. :Naked Lunch" is a pornographically perverted look at the complexities of drug abuse and the difficulties of the writing process. I don't use the word pornographically lightly. This is as extreme a movie as I've ever seen, especially coming from the Hollywood system. It's icky, it's gross, it's disturbing. It's also a masterpiece.