Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend.Written by
The time-lapse footage is meant to represent the dreams and flashbacks of River Phoenix' character during his narcoleptic episodes. The old super-8 footage was written into the script, but the time-lapse footage of nature was not. Cinematographer Eric Alan Edwards shot it himself using unused film left over from the day's shooting. Gus Van Sant didn't learn about it, until production was nearly complete. See more »
When Mike is in Idaho he has a clear view of Mt. Hood. Not only is the mountain too far away to see (over 200 miles), there is another mountain range lying between Idaho and Mt. Hood, blocking the view. See more »
Scott. When you inherit your fortune, on your twenty-first birthday, let's see... how far away is this?
One week away, Bob, just one more week.
Let's not call ourselves robbers, but Diana's foresters. Gentlemen of the shade. Minions of the Moon. Men of good government.
[under his breath]
When I turn twenty-one, I don't want any more of this life. My mother and father will be surprised at the incredible change. It will impress them more when such a fuck-up like me turns good than if I had been a ...
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Mike (River Phoenix) has narcolepsy, and whenever he feels super-stressed he suffers what I interpret to be attacks of cataplexy, that is, sleep triggered by heightened emotions. His friend, would-be lover and fellow male prostitute, Scott (Keanu Reeves), has a rich dad who's going to leave him a hefty sum when he turns 21. These two characters are the main focus of "My Own Private Idaho" which deals with common and uncommon themes, such as home, sexual identity and love. Van Sant throws in some Shakespearean language plagiarised straight from Henry IV and a non-linear narrative and you've got one very cute surrealist indie film.
The credits to this film are it's director and star, River Phoenix, whose understated and moving performance lifts this film above the trash it easily could've been in another director or actor's hands. Van Sant uses symbols to represent emotional states and his use of special effects is limited and effective. There is some really heartfelt dialogue in this movie, especially the much-mentioned camp-fire scene.
This film can be irritating; sometimes the Shakespearean dialogue doesn't work (and it's okay to admit that a near-perfect film like this has flaws) and Reeves is sometimes a little stiff. The film is mostly redeemed by its bitter-sweet ending and fun opening titles.
I'm not going to tackle any issues in this film because I just don't have the energy. Just appreciate the film for what it is and have a nice day. :)
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