Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
In the original script, the entire third act was set on water. Also, Hallenbeck's grudge with Senator Baynard was completely different from the movie. In the script, Hallenbeck was working security for the Baynard family when Louis Baynard, President Baynard's son, kills a mother and her child in a drunken car accident. When Hallenbeck refuses to cover for the President's son, they plant half a kilo of crack in his house. Louis Baynard was also a villain in the script, and in the end, both he and his father die. See more »
From the dialogue we know that the opening football game is being played at the Brown's home stadium in Cleveland, but by their uniforms, the police who run onto the pitch are clearly the same LAPD officers who feature in the later LA based game. See more »
Locker Room Kid:
Billy Cole. Billy Cole.
The first half stunk! Open the holes up! Get in there like hogs! Like pigs!
Locker Room Kid:
Billy Cole. You got a call on line three.
Let's go out there in this half and kick some butt! Let's get out of this town as a winner! I hate Cleveland!
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The Finnish K16 version is heavily cut. It has lost several scenes entirely to the scissors. The whacked-put baseball player shooting other players in the beginning of the movie has been shortened, the beating of Willis in the alley, Willis shooting thugs from both hips, Willis bashing a guy's nose to his brains, Willis shooting thugs holding his gun inside a puppet, Damon Wayans' hand being shot is completely removed, and Willis killing "the bad guy" (him splattering to the helicopter is no more either). See more »
Some of the best one-liners ever in an enjoyable action yarn
The Last Boy Scout is loud, vulgar, trashy and great entertainment. Bruce Willis plays Joe Hallenbeck, a disgruntled former Secret Service agent struggling with personal demons, a dysfunctional home life and an unsuccessful attempt at living as a private detective. When his newest client, Cory (Halle Berry), is murdered, her boyfriend (Damon Wayans) joins Hallenback to find out why she was killed. What follows is typically Tony Scott accentuated action, male bonding and loads of violent, gruesome deaths followed by outbursts of comic one-liners.
Written by Shane Black (Lethal Weapon) and directed by Scott (Top Gun), Last Boy Scout works thanks to Bruce Willis and Damon Wayans. The script is stupid, borderline ludicrous quickly stretching beyond believability, ending in an explosive (somewhat literally) climax that resorts to all the clichés of the genre. However, there is some self-satire to be found within the material. Villains are referred to consistently as "the bad guys." Loads of genre clichés are fooled with, spun into jokes the car chases and action sequences become satirical in nature, whilst the personal life of Hallenbeck something that might normally be sugar-coated in another genre film is totally f***ed up, leaving us with a pre-teen daughter who uses profanity like it's going out of style, a cheating wife, and a weary father who stopped giving a crap about it all a long time ago.
It's the stuff like this that makes Last Boy Scout succeed past its own sources. Shane Black is excellent at writing this type of stuff, and it really shows. Willis is given the best one-liners of his entire career, making Die Hard's crackling dialog look like child's play. Willis in particular is so good, and so at ease with his character, that his cynical and edgy performance makes the film worth seeing and heck, even worth owning. It's the ultimate Stupid Male Action Film with Great One-Liners and Loads of Action, a genre I'd like to hereby declare official.
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