A private detective's protected female witness is murdered, prompting him and the victim's boyfriend to investigate the crime that leads to a corrupt politician and a crooked football team owner.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Director:
Rowdy Herrington
Stars:
Bruce Willis,
Sarah Jessica Parker,
Dennis Farina
A struggling dentist's life is turned upside down when a famous gangster moves in next door, and his wife convinces him to inform a notorious mob boss about the gangster's whereabouts.
Director:
Jonathan Lynn
Stars:
Bruce Willis,
Matthew Perry,
Rosanna Arquette
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Director:
Florent-Emilio Siri
Stars:
Bruce Willis,
Kevin Pollak,
Serena Scott Thomas
Jimmy the Tulip's (Willis) quiet new life is shaken up by his old pal Oz (Perry), whose wife (Henstridge) has been kidnapped by a Hungarian mob. The Tulip and his wife Jill (Peet) spring into action.
Director:
Howard Deutch
Stars:
Bruce Willis,
Matthew Perry,
Natasha Henstridge
A Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.
John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
A down and out cynical detective teams up with a down and out ex-quarterback to try and solve a murder case involving a pro football team and a politician.Written by
Ed Sutton <esutton@mindspring.com>
When Milo's car crashes over the roof and lands in the pool, it destroys the chimney sending bricks and other debris flying. However, when the car lands the debris has disappeared. See more »
Quotes
[first lines]
Locker Room Kid:
Billy Cole. Billy Cole.
Head Coach:
The first half stunk! Open the holes up! Get in there like hogs! Like pigs!
Locker Room Kid:
Billy Cole. You got a call on line three.
Head Coach:
Let's go out there in this half and kick some butt! Let's get out of this town as a winner! I hate Cleveland!
See more »
Alternate Versions
The Finnish K16 version is heavily cut. It has lost several scenes entirely to the scissors. The whacked-put baseball player shooting other players in the beginning of the movie has been shortened, the beating of Willis in the alley, Willis shooting thugs from both hips, Willis bashing a guy's nose to his brains, Willis shooting thugs holding his gun inside a puppet, Damon Wayans' hand being shot is completely removed, and Willis killing "the bad guy" (him splattering to the helicopter is no more either). See more »
Before commenting on the movie itself I would like to explain my position on "judging" movies (since I'm a newbie here). Namely - IMHO, one has to analyze the "how", not the "what". Meaning - if you, for instance, compare this movie to a, for example, Pasolini / Bertolucci / Tarkovski / Whoever-else, you won't get far. There's no way to choose between a melon and a steak - one is a main course, another is dessert. Now then, all I gotta say on the actual movie is: an excellent specie of a purely commercial entertainment for grown-ups with a lot of kid stuff inside. The advantages and limitations of the genre - which is your typical action with a twist of comedy - are played on beautifully by the great action hero (who, IMHO, is also much more than that) Bruce Willis with his usual charisma and self-irony. Damon Wanes gives a very decent, even if a bit "afroamerican-comedy-club stereotype" performance, every note is in it's rightful place, though he is not as yet the actor we know from "Bamboozled". Danielle Harris is easy-going, natural and convincing as a teen daughter of the Last Boyscout. Chelsea Field is a bit shallow in this, your standard "wife". I think the role needed more "soulsearching". Taylor Negrin was too "cartoony" for my taste, a bit over the top, so didn't affect me as scary, which was obviously intended. The screenplay is fast, alive and has a good balance of drama/comedy, without rubbing our faces in either. Tony Scott keeps it interesting with his very own and unique visual style. On the whole - a highly enjoyable quality entertainment. WATCH IT - HAVE FUN!
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Before commenting on the movie itself I would like to explain my position on "judging" movies (since I'm a newbie here). Namely - IMHO, one has to analyze the "how", not the "what". Meaning - if you, for instance, compare this movie to a, for example, Pasolini / Bertolucci / Tarkovski / Whoever-else, you won't get far. There's no way to choose between a melon and a steak - one is a main course, another is dessert. Now then, all I gotta say on the actual movie is: an excellent specie of a purely commercial entertainment for grown-ups with a lot of kid stuff inside. The advantages and limitations of the genre - which is your typical action with a twist of comedy - are played on beautifully by the great action hero (who, IMHO, is also much more than that) Bruce Willis with his usual charisma and self-irony. Damon Wanes gives a very decent, even if a bit "afroamerican-comedy-club stereotype" performance, every note is in it's rightful place, though he is not as yet the actor we know from "Bamboozled". Danielle Harris is easy-going, natural and convincing as a teen daughter of the Last Boyscout. Chelsea Field is a bit shallow in this, your standard "wife". I think the role needed more "soulsearching". Taylor Negrin was too "cartoony" for my taste, a bit over the top, so didn't affect me as scary, which was obviously intended. The screenplay is fast, alive and has a good balance of drama/comedy, without rubbing our faces in either. Tony Scott keeps it interesting with his very own and unique visual style. On the whole - a highly enjoyable quality entertainment. WATCH IT - HAVE FUN!