Kafka, an insurance worker gets embroiled in an underground group after a co-worker is murdered. The underground group is responsible for bombings all over town, attempting to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization and must confront them.Written by
Ed Sutton <email@example.com>
In the novel "The Castle", as in this movie, the protagonist, struggles to gain access to the mysterious authorities of a castle who govern the village for unknown reasons. "The Castle" is about alienation, bureaucracy, the seemingly endless frustrations of man's attempts to stand against the system, and the futile and hopeless pursuit of an unattainable goal. See more »
A crowd is easier to control than an individual. A crowd has a common purpose. The purpose of the individual is always in question.
That's what you're trying to eliminate, isn't it? Everything that makes one human being different from another. But you'll *never*, *never* reach a man's soul through a lens.
That rather depends on which end of the microscope you're on, doesn't it?
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Some see this film as a step down from Steven Soderbergh's brilliantly-constructed debut feature, "sex, lies and videotape." I see it as a significant step in his artistic development (even if its commercial and critical failure limited the audiences for his next several films). Certainly no one expected him to follow the low-key, character-driven "sex, lies" with such a complicated, stylized film as "Kafka."
An inspired script by Lem Dobbs and a great cast drive Soderbergh's visually rich film. Besides the leads, of note are Joel Grey as the self-important bureaucrat Burgel, Brian Glover as the menacing Castle Henchman, and Keith Allen and Simon McBurney as Kafka's side-splittingly incompetent "assistants." And Cliff Martinez's score (inspired by "The Third Man") is ingenious.
To call this film underrated would be a severe understatement.
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