Jungle Fever (1991)

Friends and family of a married black architect react in different ways to his affair with an Italian secretary.

Director:

Spike Lee

Writer:

Spike Lee

Stars:

Wesley Snipes, Annabella Sciorra, Spike Lee

6 wins & 9 nominations.

Cast

Cast overview, first billed only:
Wesley Snipes	...	Flipper Purify
Annabella Sciorra	...	Angie Tucci
Spike Lee	...	Cyrus
Ossie Davis	...	The Good Reverend Doctor Purify
Ruby Dee	...	Lucinda Purify
Samuel L. Jackson	...	Gator Purify
Lonette McKee	...	Drew
John Turturro	...	Paulie Carbone
Frank Vincent	...	Mike Tucci
Anthony Quinn	...	Lou Carbone
Halle Berry	...	Vivian
Tyra Ferrell	...	Orin Goode
Veronica Webb	...	Vera
Veronica Timbers	...	Ming
David Dundara	...	Charlie Tucci

Storyline

A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.

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Plot Keywords:

interracial romance | interracial relationship | architect | interracial affair | harlem manhattan new york city | 

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for sensuality, strong language, drug content, and for violence

Details

Country:

USA

Language:

English

Release Date:

7 June 1991 (USA)

Also Known As:

Jungle Fever

Filming Locations:

Bensonhurst, Brooklyn, New York City, New York, USA

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$5,332,860, 9 June 1991

Gross USA:

$32,482,682

Cumulative Worldwide Gross:

$43,882,682

Company Credits

Production Co:

Universal Pictures, 40 Acres & A Mule Filmworks

Technical Specs

Runtime:

132 min

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The film cast includes three Oscar winners: Halle Berry, Tim Robbins, and Anthony Quinn; and five Oscar nominees: Samuel L. Jackson, Brad Dourif, Queen Latifah, Ruby Dee, and Spike Lee.

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Goofs

Cameraman's shadow on Flipper when he is telling Cyrus he cheated on Drew

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Quotes

Lucinda Purify: Lord have mercy... on your twisted soul!

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Crazy Credits

The opening credits are printed on roadsigns that move across the frame.

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Connections

Featured in At the Movies: Soapdish/What About Bob?/Hudson Hawk/Only the Lonely (1991)

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Soundtracks

Each Other's Throats
Music and Lyrics by Stevie Wonder
Performed by Stevie Wonder
by arrangement with Stevland Morris Music, ASCAP

User Reviews

Raises questions

I love Spike Lee, I really do. He forces people to take a look at social situations as more than culture and things people do. He's more along the lines of why do we do what we do? His films have a distinct black voice, but provides angles from other ethnicities as well, I love that about him. He's not particularly one-sided about anything. I've always heard about this movie growing up, but never have I seen it. Well, BET decided it was time I should and showed it last Friday. I liked the way it was directed, but something about the film puzzles me. They went through all that without ever really having a yen for each other? He destroyed his marriage over a curiosity? I guess that's life, but it still unnerves me and doesn't flow with the film. Added to that, Flipper is/was staunchly pro-black, but I guess that's to show that even someone like him could dip to the other side. It was obviously a social issue of the early 90's and why successful black men decide it's time to trade up when they've made it. Apparently they think it's ok if they have enough money and that the world has changed enough that people will allow it. Personally, nothing has changed in some 40 odd years for a black men to think America's ok with him dating a white woman. Kobe's case has proved that and so did the scene where they were playing around and wrestling and someone called the cops on him cuz they thought he was raping her. Black men need to understand that the history of romantic race relations is this: White women were put on a pedestal as the epitome of beauty, desire, and purity. Black people were always the antithesis of that, but white men could jump back and forth as they pleased with no detriment to their character. Even in 2004, that mentality has a hard time going away. I liked that Flipper's father in the movie expounded upon that. Things haven't changed that much and Spike took that and ran with it to show it visually. The acting was very good for this film, because they didn't necessarily have to be, but they were great. The movie was clear, the music was cleverly applied in the right places. The scene with the women arguing about what it does to them to see black men with white women was brilliant. It seems quasi-feminist at the same time. It just has every approach and I love it. Great movie!