In Gold We Trust

19901990
1h 29min

Story about a group of commandos trying to retrieve some gold, which is stored in a NASA capsule. During the operation, they confront another commando group led by two evil mercenaries (one ... Read allStory about a group of commandos trying to retrieve some gold, which is stored in a NASA capsule. During the operation, they confront another commando group led by two evil mercenaries (one of them a Communist called Kristoff) and a batallion of Japanese soldiers who are unaware ... Read allStory about a group of commandos trying to retrieve some gold, which is stored in a NASA capsule. During the operation, they confront another commando group led by two evil mercenaries (one of them a Communist called Kristoff) and a batallion of Japanese soldiers who are unaware that WWII is over.

4.8/10

Director
- Chalong Pakdeevijit
Writers
- Buncherd Dhawee(screenplay)
- Norman Puemin(story)
- Tony S. Suvat(screenplay)
Stars

Top credits

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Sherrie Rose, Jan Michael Vincent, and Sam Jones on set of In Gold We Trust

Jan-Michael Vincent, Sam J. Jones, and Sherrie Rose in In Gold We Trust (1990)

Jan-Michael Vincent and Sherrie Rose in In Gold We Trust (1990)

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Jane and the Lost City

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Story about a group of commandos trying to retrieve some gold, which is stored in a NASA capsule. During the operation, they confront another commando group led by two evil mercenaries (one of them a Communist called Kristoff) and a batallion of Japanese soldiers who are unaware that WWII is over. —Marko Parabucki <vida.marko@eunet.si>

nasa gold booby trap explosion platoon 12 more

Genres
Parents guide
- Add content advisory

Trivia
Filmed back-to-back with The Lost Idol.

Goofs
At the end of the film, Oliver Moss rips off his dog tags. He then walks back into the camp and he is still wearing them round his neck.

Crazy credits
Key Grip - Elephant Man.

Top review

American mercenaries try to recover gold before the rebels do.

This movie was originally conceived and written by Thai producers. An American producer kicked in some financing to upgrade the cast. The script did not change, so the bones of the film are pretty ridiculous but the military effects are quite good, as is the cinematography. Of particular note is the crisper editing done for the American version and the score, which musically distinguishes between three ethnically divers elements, Thai soldiers, ethnic Hmong and American mercenaries. A fine Hollywood gloss was put on a foreign exploitation film.

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