Sheikh Hosny is a blind man who lives with his old mother and his frustrated son in the Kit Kat neighborhood. His son Youssef dreams of going to Europe to find work, and has a relationship ... See full summary »
After the death of the father, the family consisting of a mother and two young men and a girl themselves without a breadwinner finds, to begin each of them in the direction to a different ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
The first 15 minutes is some of the best modern warfare footage I've seen, expertly showing the insanity of the war in Lebanon.
We follow a French photographer as he documents a war in which everyone is turning on everyone. Then the photographer is kidnapped, and we spend most of the film watching the horrors of life as a hostage.
Scene by scene it's beautifully done. His captors are a very varied bunch, some sympathetic, some psychotic, although we never get to really know any of them, and they do fall into 'types' a bit.
My biggest problem with the film was the lack of a bigger political context. Unlike, for example, 'Four Days in September', we never really understand what the captors want. For a while that Kafka-esque confusion is interesting, but by the end, it makes the film seem a bit limited in vision. The captors almost all seemed childlike, and not very bright. There was a touch of what almost felt like racism, very odd, considering the film-maker is himself Lebanese.
In the end, this was tense and exciting as a docudrama (it was based on a real case), but by not having more scope, just missed the chance to be a truly great film.
That said, it's well worth seeing, and I intend to re-visit it.
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