Two lone riders and childhood friends, the rough and silent Harley Davidson and the ragged sun-baked cowboy Marlboro, assemble once more when they learn that their favourite hangout and the place where they grew up, the notorious Rock 'n' Roll Bar and Grill is facing imminent foreclosure. For this reason, against the preposterous demands for a new contract, the two lifelong buddies in unflinching determination to win back the bar, they will decide to hold up the corrupt bank's armoured car, unbeknownst to them that its cargo is not money but a new lethal and highly experimental street drug: the Crystal Dream. Now the bank wants it back and they are unstoppable. Is everything lost for Harley and Marlboro, the two well-meaning but amateurish thieves?Written by
When the boys get caught behind the aircon unit on the roof, they would have been killed when Alexander and his goons opened fire. 5.56mm rounds would have penetrated the tin like it was cheese. See more »
Looks like you jumped on the wrong horse there cowboy! In case you didn't notice, you're the only cowboy in this place.
He ain't a cowboy, he's more like a pretty boy.
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It's Better To Be Dead And Cool Than Alive And Uncool!
Here it is 2011 and I'm STILL lovin' this movie! As a matter of fact up until I looked over my IMDb history, I thought I had already reviewed it but much to my surprise I haven't. I guess that will make this review that much more better as it will be one of the more current ones.
This is one of those "you-either-get-it-or-you-don't" movies made to appeal to the egos and fantasies of the rugged alpha male. You get that sense at the opening credits as Mickey Rourke's intro scene during the opening credits makes you want to go out and ride a chopped up steel horse. It's the ultimate escape, at least for men! It's laced w/ moral fiber in that it's all about being down-and-out and still managing to drum up the where-with-all to help your fellow man. IMHO I think this movie's setbacks are through no fault of any of its creators or participants. Looking at many of the cynical reviews of movie-goers and critics of its time, it was clearly ahead of its own genre. And although many might find the title as well as some of the names of the characters to be cheesy (Virginia Slim, Jack Daniels, etc), I admire that they took the risk to acknowledge the outlaw, anti-hero biker image through images of Americana. I also read somewhere (probably on this site) that Rourke did this movie out of desperation which doesn't help a new viewer go in w/ a favorable attitude. Hopefully Mickey can look back and appreciate this piece of work like much of us do. I've still yet to see Butch & Sundance but now I'm inspired to check out Redford and Newman's piece even if it's just for the similarities that many reviewers have suggested.
I guess it comes down to the fact that this is much like anything else in that it isn't for everybody. Perhaps the audience it was intended for has dwindled substantially (if it's ever really been out there). But if that's so, we can always take comfort in knowing that we have something we can truly appreciate w/o having to be fashionable.
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