7.3/10
5,473
40 user 22 critic

Hachi-gatsu no rapusodî (1991)

PG | | Drama | 20 December 1991 (USA)
Three generations' responses to the atomic bombing of Nagasaki.

Director:

Akira Kurosawa

Writers:

Kiyoko Murata (novel), Akira Kurosawa
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5 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
Sachiko Murase ... Kane
Hisashi Igawa ... Tadao
Narumi Kayashima Narumi Kayashima ... Machino
Tomoko Ôtakara Tomoko Ôtakara ... Tami
Mitsunori Isaki Mitsunori Isaki ... Shinjiro
Toshie Negishi Toshie Negishi ... Kane's daughter
Hidetaka Yoshioka Hidetaka Yoshioka ... Tateo
Chôichirô Kawarasaki Chôichirô Kawarasaki ... Noboru
Mieko Suzuki Mieko Suzuki ... Minako (as Mie Suzuki)
Richard Gere ... Clark (as Richâdo Gia)
Rest of cast listed alphabetically:
Shizuko Azuma Shizuko Azuma
Satoko Hayashi Satoko Hayashi
Masahito Hirose Masahito Hirose
Noriko Honma Noriko Honma ... Mourner
Ayao Imada Ayao Imada
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Storyline

An elderly woman living in Nagasaki Japan takes care of her four grandchildren for their summer vacation. They learn about the atomic bomb that fell in 1945, and how it killed their grandfather. Written by Matthew Rorie <mrorie@vt.edu>

Plot Summary | Add Synopsis

Taglines:

Tears. Laughter. Innocence. It was a summer of remembering

Genres:

Drama

Certificate:

PG | See all certifications »
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Details

Country:

Japan

Language:

Japanese

Release Date:

20 December 1991 (USA) See more »

Also Known As:

Rapsodia en agosto See more »

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Box Office

Gross USA:

$516,431
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Fujicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

One of three Kurosawa films warning viewers of the dangers of nuclear power. The other two were I Live In Fear and Dreams. See more »

Quotes

Kane: People do anything just to win war. Sooner or later it will destroy us all.
See more »

Connections

References Rodan (1956) See more »

Soundtracks

Heidenröslein
(uncredited)
Lyrics by Johann Wolfgang von Goethe
Music by Franz Schubert
Performed by Hidetaka Yoshioka, Tomoko Ôtakara, Mieko Suzuki and Mitsunori Isaki
See more »

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User Reviews

 
Holds up against his best films
9 February 2001 | by zetesSee all my reviews

Akira Kurosawa is one of my very favorite filmmakers. If you search through my reviews, I have written about a few, The Seven Samurai, High and Low, Kagemusha, and Dreams. I have seen many more, Rashomon, Ikiru (my personal favorite), Yojimbo, Sanjuro, Dersu Uzala, and Ran. I have only disliked one, High and Low, but not one of his films failed to amaze me in some way or other. My initial opinion, after seeing Rashomon, The Seven Samurai, Yojimbo, Ran and Kagemusha was that he was an amazing stylist whose films felt slightly impersonal to me. I strongly disagree with that opinion now (I expressed it in my review to Kagemusha, which I'm surprised hasn't resulted in tons of hate mail).

I have just finished watching Kurosawa's second to last film, Rhapsody in August. It is not highly regarded, usually dismissed as a very minor work in a master's portfolio. This I also discovered about my second favorite of his films, Dreams. Well, as far as my opinion, I think people were dead wrong about both of these films.

Rhapsody in August is not a stylistic masterpiece like The Seven Samurai, Yojimbo, or Ran. Instead, only second to Ikiru, it is Kurosawa's most humanistic film. I have only seen one film by him (although I've read a lot about him), but I would compare it more to Yasujiro Ozu's work.

This film has a plethora of themes, ranging from the effect of the H-Bomb on both the Japanese and the Americans, the generation gaps between the three generations present (the matriarch of the family feels separate from her middle-aged children, but she relates well to her grandchildren who are interested in their country's sorrowful history), and the effect of American culture on the Japanese of the present generation. It is quite a handful, but everything is handled so subtly that some viewers who don't pick up on it all may easily grow uninterested. In some ways, the film feels very didactic (in a good way). I can imagine this film being showed to younger children, since the four grandchildren, at least at the beginning, are learning about the history of the bomb and Nagazaki and their grandfather's death.

The only weak point of the film is probably the very end, which is difficult to understand. I have a feeling that there was some cross-cultural barrier preventing my understanding of it, so if anyone does get it, please contact me. Anyway, as I perceived it, the film ended kind of randomly. But still, what has come before is too good to get too upset by the lack of closure. It deserves a 10/10.


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