A housewife who is unhappy with her life befriends an old lady at a nursing home and is enthralled by the tales she tells of people she used to know.A housewife who is unhappy with her life befriends an old lady at a nursing home and is enthralled by the tales she tells of people she used to know.A housewife who is unhappy with her life befriends an old lady at a nursing home and is enthralled by the tales she tells of people she used to know.
- Nominated for 2 Oscars
- 6 wins & 12 nominations total
Timothy Scott
- Smokey Lonesome
- (as Tim Scott)
Storyline
Did you know
- TriviaMary Stuart Masterson did all of the bee stunts herself because her stunt double quit at the last minute.
- GoofsWhen Evelyn arrives in Whistle Stop, Ninny is sitting on a suitcase. A few minutes later, when they walk towards the car, the suitcase has disappeared.
- Quotes
[Evelyn is cut off in a parking lot]
Evelyn Couch: Hey! I was waiting for that spot!
Girl #1: Face it, lady, we're younger and faster!
[Evelyn rear-ends the other car six times]
Girl #1: What are you *doing*?
Girl #2: Are you *crazy*?
Evelyn Couch: Face it, girls, I'm older and I have more insurance.
- Alternate versionsIn the TV version, Idgie watches Ruth teaching Sunday school before taking her to her birthday party at the saloon.
- SoundtracksMy Blue Heaven
Written by Walter Donaldson and George Whiting
Performed by Gene Austin and His Orchestra
Courtesy of the RCA Records Label of BMG Music
Featured review
Consummate story-telling, served well by superlative performances
Fannie Flagg's novel of immense complexity (huge cast and innumerable separate stories) could have been impossible to film. However, it is made possible, in large part, by the performances of Mary Stuart Masterson and Mary Louise Parker in what should have been billed as the lead roles. They play the two southern women who's joint story this movie revolves around. Jessica Tandy's role is to relate the story to a lost and longing Kathy Bates (in modern times). Director Jon Avnet ties the two together nicely at times, awkwardly at times, but always (except the end) without doing damage to either. He (and the production crew) bring to life a 'peaceful' southern town very nicely.
The two Marys manage to convey the fullness of a complex relationship with apparent ease. There on-screen chemistry is nothing short of dazzling, and one is left wondering when and how these two actresses carved out such detailed characters without giving voice to their motivations and feelings. While it is rare that dialogue directly addresses the heart and nature of their relationship, what that is becomes clear quickly and transcends the plot of the story to become the real unifying element in this movie. That neither was recognized (in the conventional way) for their performances is unfortunate (which is an understatement).
The two Marys manage to convey the fullness of a complex relationship with apparent ease. There on-screen chemistry is nothing short of dazzling, and one is left wondering when and how these two actresses carved out such detailed characters without giving voice to their motivations and feelings. While it is rare that dialogue directly addresses the heart and nature of their relationship, what that is becomes clear quickly and transcends the plot of the story to become the real unifying element in this movie. That neither was recognized (in the conventional way) for their performances is unfortunate (which is an understatement).
helpful•8317
- vijayr
- Feb 22, 1999
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $82,418,501
- Opening weekend US & Canada
- $105,317
- Dec 29, 1991
- Gross worldwide
- $119,418,501
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