Fried Green Tomatoes (1991)

A housewife who is unhappy with her life befriends an old lady in a nursing home and is enthralled by the tales she tells of people she used to know.

Director:

Jon Avnet

Writers:

Fannie Flagg (novel), Fannie Flagg (screenplay)

Stars:

Kathy Bates, Jessica Tandy, Mary Stuart Masterson

Nominated for 2 Oscars. Another 6 wins & 11 nominations.

Cast

Cast overview, first billed only:
Kathy Bates	...	Evelyn Couch
Mary Stuart Masterson	...	Idgie Threadgoode
Mary-Louise Parker	...	Ruth Jamison
Jessica Tandy	...	Ninny Threadgoode
Cicely Tyson	...	Sipsey
Chris O'Donnell	...	Buddy Threadgoode
Stan Shaw	...	Big George
Gailard Sartain	...	Ed Couch
Timothy Scott	...	Smokey Lonesome (as Tim Scott)
Gary Basaraba	...	Grady Kilgore
Lois Smith	...	Mama Threadgoode
Jo Harvey Allen	...	Women's Awareness Teacher
Macon McCalman	...	Prosecutor Percy
Richard Riehle	...	Reverend Scroggins
Raynor Scheine	...	Sheriff Curtis Smoote

Storyline

Evelyn Couch is having trouble in her marriage, and no one seems to take her seriously. While in a nursing home visiting relatives, she meets Ninny Threadgoode, an outgoing old woman, who tells her the story of Idgie Threadgoode, a young woman in 1920's Alabama. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny.

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Plot Keywords:

domestic violence | cannibalism | nursing home | friendship | alabama | 

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Taglines:

The secret of life? The secret's in the sauce.

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Genres:

Drama

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Certificate:

PG-13

Details

Country:

USA

Language:

English

Release Date:

24 January 1992 (USA)

Also Known As:

Tomates verdes fritos

Filming Locations:

Agnes Scott College - 141 E. College Avenue, Decatur, Georgia, USA

Box Office

Budget:

$11,000,000 (estimated)

Gross USA:

$82,418,501

Cumulative Worldwide Gross:

$119,418,501

Company Credits

Production Co:

Universal Pictures, Act III Communications, Avnet/Kerner Productions

Technical Specs

Runtime:

130 min 137 min (extended)

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

A persistent rumor is that Ninny Threadgood, who is the older woman telling the story at the beginning of the movie, is secretly Idgie Threadgoode, citing as evidence her first scene (where she asks Evelyn in a rather sly way if she's ever heard of Idgie Threadgoode) and her final scene, in which Evelyn looks at Old Ninny with what seems to be dawning realization and suggests that "maybe we'll see [Idgie] today." The novel makes it a bit more clear that Ninny and Idgie are two different people, as there are scenes in which they both appear and interact with each other. In the film, Ninny states that she married Idgie's brother Cleo, which is how she acquired the Threadgoode name. Ninny also states in the film that she had a crush on Buddy, which would be quite a strange thing to admit if Ninny was really Idgie, since Buddy would be her biological brother.

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Goofs

When Evelyn's husband brings her flowers, she pulls out previous flowers from the vase and we can see there is no water in the vase. Both bunch of flowers appear to be artificial.

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Quotes

Evelyn Couch: Ms. Threadgoode, how about tellin' me some more, about Idgie?

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Connections

Referenced in El robo más grande jamás contado (2002)

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Soundtracks

If I Can Help Somebody
Written by Alma Androzzo
Produced by Arthur Baker
Performed by Aaron Hall
Mixed by Louis Scalise

User Reviews

As good as it gets.

This movie might easily pass you by. It's quirky, long-winded title suggests something arty or perhaps comical in a needlessly pretentious way. Well; it is arty, and it is often funny, but there isn't a particle of pretentiousness. I got to see it only because my newspaper included it as a free DVD in the weekend issue. But for that, I might still be in ignorance now.

It seems incredible that something so wonderful can be had for nothing.

Kathy Bates plays the role of a mature but still comparatively young woman who has a marriage going nowhere. Her husband has reached the point where he just doesn't seem to care any more. Actually, it's not that he doesn't care; he just hasn't noticed how bad things have got. Like so many couples, they have just let themselves slip into a rut.

However; she has noticed, and means to do something about it. When hints, make-overs and candlelit dinners prove inadequate, she finds unexpected inspiration in a feisty old woman called Ninny Threadgoode.

This woman - played by Jessica Tandy - dilates upon her past, and in particular, a friendship between two young women called Idgie and Ruth (Mary Stuart Masterson and Mary Louise Parker). The movie then shifts between the present-day circumstances of an increasingly emancipated wife, and the flashback reminiscences of her inspiration.

Some have rather misguidedly referred to this movie as a 'chick-flick' as if it were dedicated to a female audience or in some way espoused the cause of feminism. Such opinions do a disservice. To see it in this light, because the principal parts are female, is like dismissing 'The Shawshank Redemption' as a male 'buddy' movie. Both are about two people who's enduring friendship unites them against adversity. Lesbian love is barely hinted at.

Director, Jon Aunet has created a spellbinding work. It has a wonderful, lyrical fidelity, like a Renoir painting, whereby the few moments of comedy appear as small, flagrant brush-strokes in an otherwise pastel completeness. There are moments of heartbreaking and tender subtlety when Thomas Newman's music score expresses human feeling more fluently than the spoken word.

Sound-engineers seldom receive the recognition they deserve. All too easily we take the ambiance of the moment completely for granted. Viewers should pay particular attention to the authenticity of this movie, and marvel. The dreary interior of an unhappy home or the mildness of a sunlit summer-evening carry such authentic presence that one can almost feel the chill of anger, the sweetness of the season.

Some have found fault with this movie somewhere. I confess to being too lachrymose to see anything other than the director's intentions. Excellent script, flawless acting, impeccably chosen music and ambiance to reach out and touch.

This is a truly redeeming experience. Amongst the spoil-heaps of formulaic Hollywood wretchedness, gems like this help remind us that humanity is still worth caring about.

The detail of life is what really gives us meaning.