A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
After hearing a popular DJ rail against yuppies, a madman carries out a massacre in a popular New York bar. Dejected and remorseful, the DJ strikes up a friendship with Parry, a former professor who became unhinged and then homeless after witnessing his wife's violent death in the bar shooting. The DJ seeks redemption by helping Parry in his quest to recover an item that he believes is the Holy Grail and to win the heart of the woman he loves.Written by
Jim Sanders and Determined Copy Editor
Parry says to Lydia that he "he has a hard-on the size of Florida". In the beginning of the film, Jack's girlfriend is shown sketching a picture of a man lying down naked (just as Parry does in central park) with the United States drawn over his torso and groin, Florida being placed exactly where a hard-on would be located. See more »
After the little quarrel with Anne, Jack gets a call. When he picks up the phone, it still keeps ringing for a short moment. See more »
The movie's plot has been discussed enough, no need to rehash it here. I just wanted to add a few observations. In my opinion this is one of Robin Williams' best performances. I know that at the time he was heavily involved in Comic Releif and this story about mentally ill homeless men and acceptance of all types of people really fits the PC Comic Releif mentality, but he really did a great job here, portraying Parry, a man lost in fantasies of knights and ladies.
Jeff Bridges is very Howard Stern-like as Jack Lucas, the insulated, rude talk show host. In 1991 Stern was still a New York thing, but being that his "fame" has since spread, we see who the character was based on with a little more clarity now.
Michael Jeter as the homeless, depressed former cabaret singer was a delight in every scene he was featured in. His "singing telegram" scene to Lydia in her office was a classic.
Mercedes Ruehl also stood out as sort of living outside this crazy world that Jack Lucas finds himself thrust into. Her home is a haven and scenes shot there are usually scenes of a return to normalcy in the story, a grounding.
David Hyde Pierce has pretty much found his niche as the asexual, slightly fey character. This was basically a toned-down Niles Crane in a hat here.
Amazing movie. Like other Terry Gilliam movies, they unwind like dreams and have the look of otherworldliness. I am sorry that the homeless people arent giddy and uplifting enough for some viewers, but in reality it is a pretty stark existance.
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