A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake.
Jack Lucas was once a famous, arrogant and egotistical New York City call-in radio talk show host. Largely self-inflicted due to remorse and grief, Jack goes on a quick downward spiral, both personally and professionally, after a glib comment he makes to one of his regular callers results in that caller going on a murder spree. Three years later, the only emotional and financial support a despondent Jack receives is from his current video store owning girlfriend, Anne. When Jack hits rock bottom, he meets a seemingly crazy and homeless man calling himself Parry. Parry does have mental health issues, namely hallucinations centered around the story of the Fisher King, which is why he has an obsession with obtaining the Holy Grail. When Jack learns of Parry's own background and the reason he got to where he is, Jack feels he needs to be part of Parry's salvation. He figures the way to do so is to connect Parry with Lydia Sinclair, a shy and uncoordinated woman who Parry loves from afar. ...Written by
Huggo
Terry Gilliam had three rules in life when it came to filmmaking: 1) he'd never do anyone's script but his own, 2) he'd never work for a major studio, and 3) he'd never work in America. He violated all three of these rules to make The Fisher King. See more »
Goofs
Parry has a bruise on his forehead for most of the movie. When he is in the hospital, it and his other injuries are gone. In the last scene, in Central Park, the bruise is back. See more »
Quotes
Parry:
Did you ever hear the story of the Fisher King?
Jack Lucas:
No.
Parry:
It begins with the King as a boy, having to spend the night alone in the forest to prove his courage so he can become King. Now while he's spending the night alone he's visited by a sacred vision. Out of the fire appears the Holy Grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the Grail so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power and ...
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A touching yet humorous tale, THE FISHER KING brings together amongst the best performances given by Robin Williams and Jeff Bridges, as well as Terry Gilliam's finest directorial effort. Solid supporting performances by Amanda Plummer and Mercedes Ruehl round out a great film that ranks among my personal favorites.
Bridges portrays an arrogant radio shock-jock, who's big mouth and flippant comments send a disturbed listener on a murderous rampage, thus ending his career. Enter Ruehl as his new enabler girlfriend, waiting patiently for him to drag himself up from the dregs, hoping to catch a ride to the top. Just when Bridges seems to have hit rock bottom, he encounters Williams, a crazed vagrant who thinks he is a knight in shining armor.
What ensues is a tale of remorse, redemption and rebirth which is made all the more magical by Gilliam's magnificent vision. Most notable is a scene which takes place in Grand Central Station where the hustle and bustle of the busy commuters dissolves into a spectacular waltz as Williams follows Plummer, the woman of his dreams. Gilliam's style makes Williams delusions come alive as the character makes the slow journey from trauma-induced insanity to stark, yet hopeful, reality.
Every character in this film undergoes a metamorphosis, each learning from the others along the transformation. It is a beautiful film to watch, and an achievement to all involved that subject matter of such depth can come across with such humor and with such beauty.
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A touching yet humorous tale, THE FISHER KING brings together amongst the best performances given by Robin Williams and Jeff Bridges, as well as Terry Gilliam's finest directorial effort. Solid supporting performances by Amanda Plummer and Mercedes Ruehl round out a great film that ranks among my personal favorites.
Bridges portrays an arrogant radio shock-jock, who's big mouth and flippant comments send a disturbed listener on a murderous rampage, thus ending his career. Enter Ruehl as his new enabler girlfriend, waiting patiently for him to drag himself up from the dregs, hoping to catch a ride to the top. Just when Bridges seems to have hit rock bottom, he encounters Williams, a crazed vagrant who thinks he is a knight in shining armor.
What ensues is a tale of remorse, redemption and rebirth which is made all the more magical by Gilliam's magnificent vision. Most notable is a scene which takes place in Grand Central Station where the hustle and bustle of the busy commuters dissolves into a spectacular waltz as Williams follows Plummer, the woman of his dreams. Gilliam's style makes Williams delusions come alive as the character makes the slow journey from trauma-induced insanity to stark, yet hopeful, reality.
Every character in this film undergoes a metamorphosis, each learning from the others along the transformation. It is a beautiful film to watch, and an achievement to all involved that subject matter of such depth can come across with such humor and with such beauty.