A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake.
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Director:
Terry Gilliam
Stars:
Jeff Bridges,
Jennifer Tilly,
Jodelle Ferland
In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.
Director:
Barry Levinson
Stars:
Robin Williams,
Forest Whitaker,
Tung Thanh Tran
A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
Director:
Terry Gilliam
Stars:
Christoph Waltz,
Lucas Hedges,
Mélanie Thierry
A mentally unstable photo developer targets a middle-class family after his obsession with them becomes more sick and disturbing than any of them could imagine.
Director:
Mark Romanek
Stars:
Robin Williams,
Connie Nielsen,
Michael Vartan
In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.
After hearing a popular DJ rail against yuppies, a madman carries out a massacre in a popular New York bar. Dejected and remorseful, the DJ strikes up a friendship with Parry, a former professor who became unhinged and then homeless after witnessing his wife's violent death in the bar shooting. The DJ seeks redemption by helping Parry in his quest to recover an item that he believes is the Holy Grail and to win the heart of the woman he loves.Written by
Jim Sanders and Determined Copy Editor
The only non-Best Picture Oscar nominee that year to be nominated for Best Original Score. See more »
Goofs
(at around 4 mins) When in the limo, the camera sees Jack facing the back of the limo with a cassette tape deck to his right, his manager sitting across from him. The time on the deck clock says "2:24." Considering the clock in the studio (previous to the overhead of the street) says "8:00" and he is signing off, there is a 6 1/2 hour difference between the two clocks. When the camera cuts to his manager and back to see the man in the window, the clock has advanced 11 minutes, cut to the manager, back to Jack, the clock has gone back to 2:24. See more »
This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.
Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.
At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.
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This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.
Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.
At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.