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Just after W.W.II, an American takes a railway job in Germany, but finds his position politically sensitive with various people trying to use him.

Director:

Lars von Trier
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16 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jean-Marc Barr ... Leopold Kessler
Barbara Sukowa ... Katharina Hartmann
Udo Kier ... Lawrence Hartmann
Ernst-Hugo Järegård ... Uncle Kessler
Erik Mørk Erik Mørk ... Pater
Jørgen Reenberg Jørgen Reenberg ... Max Hartmann
Henning Jensen ... Siggy
Eddie Constantine ... Colonel Harris
Max von Sydow ... Narrator (voice)
Benny Poulsen Benny Poulsen ... Steleman
Erno Müller Erno Müller ... Seifert
Dietrich Kuhlbrodt Dietrich Kuhlbrodt ... Inspector
Michael Phillip Simpson Michael Phillip Simpson ... Robins
Holger Perfort Holger Perfort ... Mr. Ravenstein
Anne Werner Thomsen Anne Werner Thomsen ... Mrs. Ravenstein
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Storyline

An American of German descent arrives in post-war Germany 1945. His uncle gets him a job on the Zentropa train line as a sleeping car conductor. The American's wish is to be neutral to the ongoing purges of loyalists by the Allied forces and do what he can to help a hurting country, but he finds himself being used by both the Americans and the influential family that owns the railroad. After falling in love with the railroad magnate's daughter, he finds that he can't remain neutral and must make some difficult choices. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for scenes of violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Language:

English | German

Release Date:

27 June 1991 (Germany) See more »

Also Known As:

Europa See more »

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Box Office

Budget:

DKK 28,000,000 (estimated)

Gross USA:

$1,007,001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Black and White | Color (Pathécolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The final film in Lars von Trier's 'Europa' trilogy which illuminates the traumas of Europe in the future. The two other parts are The Element of Crime (1984) and Epidemic (1987). See more »

Quotes

[opening lines]
Narrator: You will now listen to my voice. My voice will help you and guide you still deeper into Europa. Every time you hear my voice, with every word and every number, you will enter into a still deeper layer - open, relaxed and receptive. I shall now count from one to ten. On the count of ten, you will be in Europa. I say: one. And as you focus your attention entirely on my voice, you will slowly begin to relax. Two - your hands and your fingers are getting warmer and heavier. Three - ...
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Soundtracks

Variation on a theme by Bernard Herrmann's score for the film 'Vertigo'
(Vertigo (1958))
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User Reviews

 
Genius, pure unadulterated genius...
14 February 2002 | by AdFinSee all my reviews

That was the first thing that sprang to mind as I watched the closing credits to Europa make there was across the screen, never in my entire life have I seen a film of such technical genius, the visuals of Europa are so impressive that any film I watch in it's wake will only pale in comparison, forget your Michael Bay, Ridley Scott slick Hollywood cinematography, Europa has more ethereal beauty than anything those two could conjure up in a million years. Now I'd be the first to hail Lars von Trier a genius just off the back of his films Breaking the Waves and Dancer in the Dark, but this is stupid, the fact that Europa has gone un-noticed by film experts for so long is a crime against cinema, whilst overrated rubbish like Crouching Tiger, Hidden Dragon and Life is Beautiful clean up at the academy awards (but what do the know) Europa has been hidden away, absent form video stores and (until recently) any British TV channels.

The visuals in Europa are not MTV gloss; it's not a case of style over substance, its more a case of substance dictating style. Much like his first film The Element of Crime, von Trier uses the perspective of the main character to draw us into his world, and much like Element, the film begins with the main character (or in the case of Europa, we the audience) being hypnotized. As we move down the tracks, the voice of the Narrator (Max von Sydow) counts us down into a deep sleep, until we awake in Europa. This allows von Trier and his three cinematographers to pay with the conventions of time and imagery, there are many scenes in Europa when a character in the background, who is in black and white, will interact with a person in the foreground who will be colour, von Trier is trying to show us how much precedence the coloured item or person has over the plot, for instance, it's no surprise that the first shot of Leopold Kessler (Jean-marc Barr) is in colour, since he is the only character who's actions have superiority over the film.

The performances are good, they may not be on par with performances in later von Trier films, but that's just because the images are sometimes so distracting that you don't really pick up on them the first time round. But I would like to point out the fantastic performance of Jean-Marc Barr in the lead role, whose blind idealism is slowly warn down by the two opposing sides, until he erupts in the films final act. Again, muck like The Element of Crime, the film ends with our hero unable to wake up from his nightmare state, left in this terrible place, with only the continuing narration of von Sydow to seal his fate. Europa is a tremendous film, and I cant help thinking what a shame that von Trier has abandoned this way of filming, since he was clearly one of the most talented visual directors working at that time, Europa, much like the rest of his cinematic cannon is filled with a wealth of iconic scenes. His dedication to composition and mise-en-scene is unrivalled, not to mention his use of sound and production design. But since his no-frills melodramas turned out to be Breaking the Waves and Dancer in the Dark then who can argue, but it does seems like a waste of an imaginative talent. 10/10


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