Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »
The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »
A heavy rainfall occurs at the beginning of the film. Unfortunately, as the camera pans up to show a large statue in the back of a pickup truck, the "rain" is revealed to be water being sprayed from the side. See more »
Not long ago, I had a strange sensation. I felt that I was alone. All of a sudden. Yet nothing had changed.
See more »
The American version features a different ending: in the original, Véronique drives to the house where her father is still living and pauses outside to touch a tree. He realizes that she's outside and raises his head from the bench where he's working. The American version features one minute of additional footage showing the father stepping outside the house, calling his daughter, and Véronique running into his arms. Kieslowski shot the additional sequences after the film's premiere at the New York Film Festival in 1991 at the insistence of Harvey Weinstein, who at the time was president of the film's US distributor, Miramax films. See more »
I still listen to the haunting music that weaves it's way through this film and it never fails to move me. The whole film is almost like a modern day ghost story, following its own logic through the simplest but most effective storytelling techniques, beautifully crafted by a master director. Irene Jacob has never been better than here, and I would recommend it highly.
42 of 53 people found this review helpful.
Was this review helpful to you?
| Report this