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The Double Life of Véronique (1991)

La double vie de Véronique (original title)
Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.

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Nominated for 1 Golden Globe. Another 10 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Irène Jacob ... Weronika / Véronique
Halina Gryglaszewska ... La Tante
Kalina Jedrusik ... La femme barjolée
Aleksander Bardini ... Le chef d'orchestre
Wladyslaw Kowalski ... Le père de Weronika
Jerzy Gudejko ... Antek
Janusz Sterninski Janusz Sterninski ... L'avocat (as Jan Sterninski)
Philippe Volter Philippe Volter ... Alexandre Fabbri
Sandrine Dumas ... Catherine
Louis Ducreux ... Le professeur
Claude Duneton Claude Duneton ... Le père de Véronique
Lorraine Evanoff ... Claude
Guillaume de Tonquédec ... Serge (as Guillaume de Tonquedec)
Gilles Gaston-Dreyfus Gilles Gaston-Dreyfus ... Jean-Pierre
Alain Frérot Alain Frérot ... Le facteur
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Storyline

Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.

Plot Summary | Add Synopsis

Taglines:

Each of us is matched somewhere in the world, by our exact double - someone who shares our thoughts and dreams.


Motion Picture Rating (MPAA)

Rated R for scenes of sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Poland | Norway

Language:

French | Polish | Italian

Release Date:

22 November 1991 (USA) See more »

Also Known As:

The Double Life of Véronique See more »

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Box Office

Gross USA:

$1,999,955
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR | Dolby Stereo

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

A heavy rainfall occurs at the beginning of the film. Unfortunately, as the camera pans up to show a large statue in the back of a pickup truck, the "rain" is revealed to be water being sprayed from the side. See more »

Quotes

Alexandre Fabbri: [kissing Veronique's forehead when she's lying upside down on his bed] Let's check and see if we're still bad for each other.
See more »

Alternate Versions

The American version features a different ending: in the original, Véronique drives to the house where her father is still living and pauses outside to touch a tree. He realizes that she's outside and raises his head from the bench where he's working. The American version features one minute of additional footage showing the father stepping outside the house, calling his daughter, and Véronique running into his arms. Kieslowski shot the additional sequences after the film's premiere at the New York Film Festival in 1991 at the insistence of Harvey Weinstein, who at the time was president of the film's US distributor, Miramax films. See more »

Connections

Featured in Kieslowski: Dialogue (1991) See more »

Soundtracks

Verso il cielo
Music by Zbigniew Preisner
Text from Dante Alighieri (as Dante)
Performed by Wielka Orkiestra Polskiego Radia Katowice (as Le Grand Orchestre de la Radio et Télévision Polonaise de Katowice), Chór Filharmonii Slaskiej (as Choeurs Philharmonique de Silésie), Elzbieta Towarnicka (soprano) and Jacek Ostaszewski (flute)
Conducted by Antoni Wit
See more »

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User Reviews

 
The Music and Irène Jacob
23 April 2007 | by FatanehSee all my reviews

"The Double Life of Veronique" is also focusing on the connection made between two people like Kieslowski's Three Colors trilogy or his heaven,hell and Purgatory.But it is not about two people with a strong bond or two twins.The two girls are not merely soul mates,they're two versions of the same person.Like an old belief that after we die, our body will appear in different circumstances and live a new life.(in here they live two different life simultaneously).

The power of music in Kieslowski's film is inevitable.The scenes are not significant by themselves,the impact of the ideas and images with the powerful music make the film special.Kieslowski well used colors and camera filters to create an ethereal atmosphere which was very helpful in creating the films sense .I think the music and Irène Jacob performance were the most outstanding pieces of the film.

The central question of the film is "Is it just a matter of chance that one thinks and acts as one does?..Is there something as free will?"...It is a question of our lives too.


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