The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
Oliver Stone's homage to 1960s rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris, France at age 27 in 1971. The movie features a tour-de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals.Written by
Denise P. Meyer <email@example.com>
In the film, a female photographer sexily encourages Jim Morrison to take his shirt off, resulting in the iconic "Young Lion" photo first seen in the Village Voice, and later used as the cover photo for the Doors 1985 "Best Of" album. The photographer was actually a man, Joel Brodsky. See more »
[Imitating Bob Dylan's singing voice]
Johnny's in the basement mixing up the medicine, I'm on the pavement thinking about the government.
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A special edition of the movie was released in 1997 on laserdisc with additional scenes that were cut from the movie:
A scene taking place circa 1965 with Jim Morrison (Kilmer) jamming onstage with Ray's band, adding obscene lyrics to the Van Morrison song "Gloria."
2 additional scenes of a bearded Jim reciting poetry in the recording studio.
Additional footage of Jim singing "The Unknown Soldier" at the New Haven concert.
A scene of Jim getting roughed up and harrassed in jail by police officers after being arrested at the New Haven concert.
Jim in his hotel room with 2 young women and Pam (Meg Ryan) yelling at him from outside.
Additional footage in the scene where Jim is on an airplane en route to Miami.
Additional scene at the end with Jim and Ray (Kyle Machlachlan) walking around Venice and talking before he departs for Paris.
Jim and Pam talking in the airplane en route to Paris.
Absorbing movie - i didn't want it to end. (my only friend...)
Utterly absorbing bio-pic of Jim Morrison. The name Val Kilmer is, or should be, synonymous with incredible acting that is not merely natural or convincing, but immensely fun and commanding. You may have noticed while watching his recent Wonderland - Val has the ability to make a picture. Here, he IS The Doors: The Movie. There, he WAS Wonderland. I am exaggerating, i suppose. For Oliver Stone has crafted a marvellous film which makes you feel like you've experienced what the sixties were like. Through using The Doors actual music (what was missing from the recent Sylvia, the art of the subject itself - her poetry) to help tell its story and colour its scenes, and filmic techniques to create the drug-induced world vision of Jim Morrison, Stone really takes you into the world of his movie, and the world of the sixties.
This movie made me appreciate what an exciting experience The Doors were, and has actually cultivated love in me for their music. I didn't realise they had more than one classic: Light my Fire, The End, People are Strange, Love her Madly, Break on Through to the Other Side, Riders on the Storm, Touch Me, Roadhouse Blues (Let it roll, baby roll) and probably more i'm yet to discover.
For a better recreation of what Andy Warhol's factory actually felt like, see I Shot Andy Warhol. Crispin Glover actually looks more like Andy than the guy who plays him in "I Shot," but the guy in I Shot much better captured Andy's vagueness and almost unconsciousness while in conversation. This, however, is but three minutes in the movie and has no effect on it as a whole.
Oliver Stone has an amusing cameo: a young film student, Jim Morrison, shows his short film to his class, who are uncouth and disparaging about it, after which camera pans to reveal Oliver Stone standing at the lecturn, (obviously, playing the film professor), who says: "Why don't we ask the author what he thinks?"
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