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The Doors (1991)

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The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.

Director:

Oliver Stone

Writers:

Randall Jahnson (as J. Randal Johnson), Oliver Stone
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2,049 ( 566)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Val Kilmer ... Jim Morrison
Meg Ryan ... Pamela Courson
Kyle MacLachlan ... Ray Manzarek
Frank Whaley ... Robby Krieger
Kevin Dillon ... John Densmore
Michael Wincott ... Paul Rothchild
Michael Madsen ... Tom Baker
Josh Evans Josh Evans ... Bill Siddons
Dennis Burkley ... Dog
Billy Idol ... Cat
Kathleen Quinlan ... Patricia Kennealy
John Densmore ... Engineer - Last Session
Gretchen Becker ... Mom
Jerry Sturm ... Dad
Sean Stone ... Young Jim
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Storyline

Oliver Stone's homage to 1960s rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris, France at age 27 in 1971. The movie features a tour-de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals. Written by Denise P. Meyer <dpm1@cornell.edu>

Plot Summary | Plot Synopsis

Taglines:

The ceremony is about to begin See more »


Motion Picture Rating (MPAA)

Rated R for heavy drug content, and for strong sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 March 1991 (USA) See more »

Also Known As:

Les Doors See more »

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Box Office

Budget:

$38,000,000 (estimated)

Gross USA:

$35,183,792
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (analog 70 mm prints)| CDS (digital 35 mm and 70 mm prints)| Dolby SR (analog 35 mm prints)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Ian Astbury, lead singer of British rock band 'The Cult,' was originally offered the role of Morrison. See more »

Goofs

When Jim Morrison chases Patricia Kennealy in her apartment, he wears a covering from the waist down. When they both fall on the bed and make love, the covering is gone. See more »

Quotes

Ray Manzarek: I feel the universe functioning perfectly but I'm still perfectly locked inside myself. Instead of oneness, I feel isolation.
See more »

Alternate Versions

A special edition of the movie was released in 1997 on laserdisc with additional scenes that were cut from the movie:
  • A scene taking place circa 1965 with Jim Morrison (Kilmer) jamming onstage with Ray's band, adding obscene lyrics to the Van Morrison song "Gloria."
  • 2 additional scenes of a bearded Jim reciting poetry in the recording studio.
  • Additional footage of Jim singing "The Unknown Soldier" at the New Haven concert.
  • A scene of Jim getting roughed up and harrassed in jail by police officers after being arrested at the New Haven concert.
  • Jim in his hotel room with 2 young women and Pam (Meg Ryan) yelling at him from outside.
  • Additional footage in the scene where Jim is on an airplane en route to Miami.
  • Additional scene at the end with Jim and Ray (Kyle Machlachlan) walking around Venice and talking before he departs for Paris.
  • Jim and Pam talking in the airplane en route to Paris.
See more »

Connections

Referenced in Return to Innocence (2001) See more »

Soundtracks

Time Has Come Today
Written by Joseph Chambers and Willie Chambers
Performed by The Chambers Brothers
Published by Chamber Music Publishing, Inc.
Courtesy of Columbia Records by Arrangement with Sony Music Licensing
See more »

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User Reviews

 
"Nothing to touch the earth, not to see the sun, nothing left to do but run, run, run, let's run."
26 April 2003 | by MisterWhiplashSee all my reviews

This is just a sampling of the lyrics that singer/writer Jim Morrison contributed to his group The Doors, and just this, as part of his epic piece "The Celebration of the Lizard" shows his skill as a master of the written word. He is shown in Oliver Stone's The Doors as a shy, though often obnoxious and crude, persona who self describes himself in one scene: "I think of myself as a sensitive, intelligent human being, but with the soul of a clown that forces me to blow it at the most crucial of moments." He may have blown it in the end, but it makes for a fascinating story.

As being a Doors fan, the music and words are the best character of the movie- the songs represent feelings and emotions, desires and hatreds, and other facets of life in the late 60's, are indispensable gems of rock and blues. While the Doors recorded only six albums together (not counting American Prayer, Morrison's awesome feat of an album) each one is still transfixed into the minds of people all over the world. It's thirty-two years since the king died, but in another thirty-two he will still be remembered. And that is a fact that Stone plays with like Travis Bickle in front of the mirror with his guns in Taxi Driver. He reveals only Morrison's known persona, and not the quiet moments. The concert recreations are grand, but there isn't more of the sweet Jim (one glimpse of such a Jim is seen at a birthday party when he gives out gifts as "Chief Mojo Risin)

What is shown is splendid enough for his abilities- he paints a vivid picture of Los Angeles 1965 onward, with Val Kilmer in the second best acting job of 1991 (deserved of an Oscar nomination), and puts Jim in the middle. He is a man who is fascinated with death, with man's wills to power, and how life gets painful without the chemicals top open the mind. Kilmer gets so much into your head in this film that by the end you'll love him, hate him, or feel wonder about him. I felt wonder about him, wonder why he looked to heroes who gave him such ideas about the love of death, wonder why he felt the need to take it to the limits.

But his desires are Stone's as well, and while this isn't a perfect film, it's one that isn't easily forgotten. A+


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