Diary of a Hitman

This is an excellent movie, Whittaker is so underrated. They rave about the same actors, being so gifted. Whittaker is so powerful, soft spoken, not with mumbling so many actors do. I enjoyed this movie very much. It was very human and touching.

Fenn was so good, in a role that could have been wasted on other beautiful actresses.

Forrest Whitaker turns in a measured performance of a hitman as does Sherilyn Fenn as the potential victim. That's the bottom line with 'Diary of a Hitman'. A low budget, but effectively acted film that features quick appearances from established names Jim Belushi (as a cop) and Sharon Stone (as Fenn's characters sister).

Dekker (Whitaker) is a pro who often tells his victims "it's just business" before the final deed. Lately however those are the words he's barely able to hold onto as he sours on his line of work - the mental effects taking their toll. Looking to get out, he takes on 'the last job' from his employer Koenig (Seymour Cassel). It's an ugly number of taking out a man's wife Jain (Fenn) and child (who he says isn't his).

I gave 'Diary' a go exclusively because of Whitaker and ultimately it's the film's strongest asset. Fenn is effective, but also irritates you with her character's mannerisms and ploys to stay alive. Belushi & Stone are fun to see pop up, but don't really contribute much else. Being boxed up in one location for an extended period of the film provides tense atmosphere, but isn't visually pleasing.

Some sparse narration and visible mental deterioration from the hitman come across as convincing, but the last act is both hollow, more than a little trite. Leaving this film decidedly average, underwhelming in many regards, but still worthy of a view for Whitaker's performance. If you don't find yourself a fan you can keep moving and not have missed much.

Dekker (Forest Whitaker) is a troubled hitman. He tries therapy. He's having eyesight problems. He gets a new job which he hopes to be his last. He gets a suspicious change including a hit on a baby. He is about to kill Jain (Sherilyn Fenn) when he's interrupted by her friend Kiki (Sharon Stone).

I like the meandering setup to the hit. I like spending time with Dekker. I even like going to the eye doctor. Once he gets into the apartment, he needs a good reason for delaying. He has to give a reason. It becomes stretched out. He could get that reason by talking to Jain. I don't really understand Dekker's thinking. Quite frankly, it starts with changing the hit. He smells something fishy right away but he should do something about it. I just want Dekker to be written smarter.

Diary of a Hit-man is directed by Roy London and adapted to screenplay by Kenneth Pressman from his own play, Insider's Price. It stars Forest Whitaker, John Bedford-Lloyd, Sherilyn Fenn, Seymour Cassel, James Belushi and Sharon Stone.Music is by Michel Colombier and cinematography by Yuri Sokol.

Hit-man Dekker is contracted to kill the wife and baby of his latest client, but he starts to seriously question the ethics of the job...

"you're your own worst witness"

The ingredients for a high end neo-noir piece are all in place here, with the pic at times threatening potency to strike a telling blow, sadly it rounds out as very unfulfilling. Its stage origins are all too obvious, and the blend of quirky and wry humour with the more dramatic core of the story never sits well. Cast also come off as a little awkward, no doubt straining to deliver the goods for their acting coach director.

On the plus side for noir fans there's stuff to savour. Pic is driven by a Dekker narration, and the character is in contact with interesting characters. Be it a mime artist, his psychiatrist, a kid in a tumble dryer, a busy body tarty sister or the weasel villain who hires him, the human contact is straight out of noir land. The places he goes are also in keeping, the local bar with neon lighting, the church where "business" is conducted, Jain's (Fenn) apartment, which is a bizarre concoction of scatterbrain living and mummy housewifery, or a peekaboo strip joint. Elsewhere there's an extended session of film where Dekker has double vision, this putting a nice off-kilter vibe on things, while the whole time where the pic takes place in the apartment - with just Dekker and Jain in conflab - holds considerable interest. But then there's the finale, which is so far removed from noir it may make some want to set fire to the TV...

Just above average neo-noir, but not one to recommend with any sort of confidence. 6/10

"Diary of a Hit-man" is something more than the average entry into the neo-noir genre of many such films produced in the 80s/90s. They usually hold a similar trashy appeal, more style than substance, and not too much in the way of quality performances. Forest Whitaker helps to make this an exception from the mold. Here, playing a variant of his later role in "Ghost Dog", he lets you into the mind of a conflicted, controlling, somewhat neurotic hit-man.

This film was adapted from a play by Kenneth Pressman, and the middle act pays testament to that. A series of scenes in a small apartment capture a real depth of emotion, both from Whitaker and his target (played by Sherilyn Fenn). It seems almost claustrophobic, but there's a power to it. Roy London doesn't show a lot of experience in his direction, but he does express a good deal of humanity. This is a grounded film, personal. There's no cheap exploitation feel, nor is there any sense of big budget Hollywood.

The acting is the real reason to watch "Diary of a Hit-man". Even the small roles have something to offer. I particularly liked the two doctors, one a psychiatrist (John Bedford Lloyd), the other an optometrist (Ken Lerner). James Belushi and Sharon Stone show up briefly, but aren't given a whole lot to do. This isn't an overly complicated or particularly far-reaching film, but the narration lets you under its skin, and there's no terrible overacting or delusions of grandeur. The title might seem cheap, but "Diary of a Hit-man" has a lot more to offer.