A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several ... See full summary »
Jean Marie De Busscher,
Centered on a post-apocalyptic society where food is scrarce and used as currency. In an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and is in need of a new maintenance man since the prior one "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for as little as possible, and then serve him to odd tenants who pay the butcher in grain. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground.
Delicatessen was the first full film made by Caro and Jeunet, but it was actually planned after The City of Lost Children (1995) was refused, because "The City" was too expensive for the, at the time, unknown directors to assume. For that reason, Delicatessen's budget was cut VERY tight, with a very restricted set, many friends and family of both directors appearing in the cast, and most props being actually old scavenged stuff - again, to cut costs. See more »
When Julie first invites Louison to her house, she accidentally throws a vase to the floor. There is no "crash" sound when the vase is destroyed. See more »
In the opening credits, crew members' names appear on objects that the camera tracks across: the director of photography's name appears on a camera, the composer's name on a broken 12" record, etc. See more »
Jeunet & Caro have created a masterpiece. While certainly this film will not be everyone's cup of tea, I cannot recall anyone I know seeing it and not being delighted. No other movie I've seen so far could top this one for its combination of wittiness, dark humor, love for detail and collection of regular people holding a mirror up to each and everyone of us, showing us how strange we really are.
Indeed this movie will not be constrained by a classification as romance, comedy or science fiction or horror. It is much more than the sum of these - it is a work of art and the painstaking work and love for detail which Jeunet & Caro have put into it show everywhere you look.
This movie is definitely off-beat and I definitely love it!
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