Delicatessen (1991)

Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.

Directors:

Marc Caro, Jean-Pierre Jeunet

Writers:

Jean-Pierre Jeunet (screenplay), Marc Caro (screenplay)

Stars:

Marie-Laure Dougnac, Dominique Pinon, Pascal Benezech

Nominated for 1 BAFTA Film Award. Another 15 wins & 14 nominations.

Cast

Cast overview, first billed only:
Pascal Benezech	...	Tried to Escape
Dominique Pinon	...	Louison
Marie-Laure Dougnac	...	Julie Clapet
Jean-Claude Dreyfus	...	Clapet
Karin Viard	...	Mademoiselle Plusse
Ticky Holgado	...	Marcel Tapioca
Anne-Marie Pisani	...	Madame Tapioca
Boban Janevski	...	Young Rascal
Mikael Todde	...	Young Rascal (as Mikaël Todde)
Edith Ker	...	Grandmother
Rufus	...	Robert Kube
Jacques Mathou	...	Roger
Howard Vernon	...	Frog Man
Chick Ortega	...	Postman
Silvie Laguna	...	Aurore Interligator

Storyline

Centered on a post-apocalyptic society where food is scrarce and used as currency. In an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and is in need of a new maintenance man since the prior one "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for as little as possible, and then serve him to odd tenants who pay the butcher in grain. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground.

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Plot Keywords:

black comedy | absurd comedy | surrealist | bed | roof | 

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Taglines:

A futuristic comic feast

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Genres:

Comedy | Crime

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Motion Picture Rating (MPAA)

Rated R for violence

Details

Country:

France

Language:

French

Release Date:

3 April 1992 (USA)

Also Known As:

Delicatessen

Filming Locations:

France

Box Office

Budget:

FRF 24,000,000 (estimated)

Gross USA:

$1,794,187

Company Credits

Production Co:

Constellation, Union Générale Cinématographique (UGC), Hachette Première

Technical Specs

Runtime:

99 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Jean-Pierre Jeunet got the idea for the movie in 1988 while vacationing in America. He said after staying in America's hotels he felt the food was so bad that "it tasted like real humans". Then came the idea.

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Goofs

Every time Julie plays the cello, the audio is behind what she plays. This is most visible in the first playing session when she is practising by playing C major up and down; the lag is several notes.

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Quotes

Aurore Interligator: They talk to me about you.
Robert Kube: Who?
Aurore Interligator: The voices in my head.
Robert Kube: Of course, the voices. What do they say?
Aurore Interligator: Let me think... They speak in such a way...
Robert Kube: [expectantly] Do they speak... About love?
Aurore Interligator: They tell me Robert is a pervert, an ass-wipe, a panty-eater.
Robert Kube: [flustered] No, but you know that's not true?

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Crazy Credits

In the opening credits, crew members' names appear on objects that the camera tracks across: the director of photography's name appears on a camera, the composer's name on a broken 12" record, etc.

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Connections

Referenced in Cine Terapia: Cine Terapia - Juan Carlos Maneglia (2017)

User Reviews

An often ingenious, always entertaining cult favorite from France.

If you think the cannibal movie subgenre has been milked dry... think again! This one will have you from the opening credits. It's set in a crumbling apartment building in 21st century, post-apocalyptic Paris where food is at a minimum, grains are used as money and the butcher downstairs runs a black-market deli providing clientel with what seems to be the only meat product available, and it ain't chicken.

Dominique Pinon is an ex-circus clown who answers a personal ad doing odd jobs there and encounters assorted weirdos while being targeted as the main course. There's a noncomformist who eats snails and frogs, a band of grimy cave-dwelling looters, an unhinged woman whose botched suicide attempts are comic highlights and an amazing musical sequence featuring a cello, creaky bed springs, machinery, drills and other noises combining to create a symphony of sounds.

The oppressive atmosphere and murky brown color schemes could have easily turned this into a dreary disaster, but the directors keep it offbeat, surprising and clever throughout, and don't miss their chance to throw in some inventive black comedy.