7.7/10
74,551
179 user 59 critic

Delicatessen (1991)

R | | Comedy, Crime | 3 April 1992 (USA)
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2:13 | Trailer

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Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.

Writers:

Jean-Pierre Jeunet (screenplay), Marc Caro (screenplay) | 3 more credits »
Nominated for 1 BAFTA Film Award. Another 15 wins & 14 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Pascal Benezech Pascal Benezech ... Tried to Escape
Dominique Pinon ... Louison
Marie-Laure Dougnac ... Julie Clapet
Jean-Claude Dreyfus ... Clapet
Karin Viard ... Mademoiselle Plusse
Ticky Holgado ... Marcel Tapioca
Anne-Marie Pisani ... Madame Tapioca
Boban Janevski Boban Janevski ... Young Rascal
Mikael Todde Mikael Todde ... Young Rascal (as Mikaël Todde)
Edith Ker Edith Ker ... Grandmother
Rufus ... Robert Kube
Jacques Mathou ... Roger
Howard Vernon ... Frog Man
Chick Ortega Chick Ortega ... Postman
Silvie Laguna Silvie Laguna ... Aurore Interligator
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Storyline

Centered on a post-apocalyptic society where food is scrarce and used as currency. In an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and is in need of a new maintenance man since the prior one "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for as little as possible, and then serve him to odd tenants who pay the butcher in grain. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground.

Plot Summary | Add Synopsis

Taglines:

A futuristic comic feast

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

3 April 1992 (USA) See more »

Also Known As:

Delicatessen See more »

Filming Locations:

France

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Box Office

Budget:

FRF 24,000,000 (estimated)

Gross USA:

$1,794,187
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At one point in the movie a female character claims they are entering the age of Virgo. This would place the movie roughly around 12,150AD, according to modern astrology. See more »

Goofs

When Julie welcomes Louison in her room and we see her following him to the table she has no socks, when she brings him later into his room after he has fallen asleep she has socks. See more »

Quotes

Aurore Interligator: They talk to me about you.
Robert Kube: Who?
Aurore Interligator: The voices in my head.
Robert Kube: Of course, the voices. What do they say?
Aurore Interligator: Let me think... They speak in such a way...
Robert Kube: [expectantly] Do they speak... About love?
Aurore Interligator: They tell me Robert is a pervert, an ass-wipe, a panty-eater.
Robert Kube: [flustered] No, but you know that's not true?
See more »

Crazy Credits

In the opening credits, crew members' names appear on objects that the camera tracks across: the director of photography's name appears on a camera, the composer's name on a broken 12" record, etc. See more »

Connections

Referenced in Les enfants de la cité perdue (1995) See more »

Frequently Asked Questions

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User Reviews

 
The cornerstone of originality
23 July 2002 | by DockelektroSee all my reviews

Clever ideas and good notion of filmmaking are at the core of this movie, whose storyline is the smallest asset. But you won't really care when you see it, because even though the story isn't really elaborate, what you have here is one of the most original movies you'll ever get your eyes on. The setting is perfect, with no historic or geographic references, only an estranged building, which doesn't have a single straight normal tenant. The result is a magnificent work of actors, cinematography and set dressing, that makes the most of visual resources for a movie. The directors Jeunet & Caro show their true potential in this movie that will keep you glued with its naive-like comedy style, and its unique set of characters, which could generate a separate movie about each and every one of them. Magnificent, and truly original.


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