An orphan named Surya raised in a slum befriends a good crime boss named Devaraj and works for him. Their existence is threatened when a new honest district collector arrives.An orphan named Surya raised in a slum befriends a good crime boss named Devaraj and works for him. Their existence is threatened when a new honest district collector arrives.An orphan named Surya raised in a slum befriends a good crime boss named Devaraj and works for him. Their existence is threatened when a new honest district collector arrives.
- Awards
- 4 wins total
Arvind Swamy
- Arjun
- (as Arvind Swami)
Featured reviews
This film is about 15 years old. i watched it quite a few times and it never fails to impress me. As said earlier it is a modern version of the Mahabharata, with Rajni as Karna.
Its starts with a 14 year old mother forced to abandon her son and the son grows up in the city slums far away..he befriends a underworld don and swears loyalty to death for him Meanwhile the mother gets married and has a son who becomes a top government official. Nobody knows of her earlier son except for her husband. Thing come to head as her younger son is posted to where the elder(who the mother doesn't know is her son) is dominating.
Watch the movie to see what happens. The mother-son scenes are amazingly touching
Its starts with a 14 year old mother forced to abandon her son and the son grows up in the city slums far away..he befriends a underworld don and swears loyalty to death for him Meanwhile the mother gets married and has a son who becomes a top government official. Nobody knows of her earlier son except for her husband. Thing come to head as her younger son is posted to where the elder(who the mother doesn't know is her son) is dominating.
Watch the movie to see what happens. The mother-son scenes are amazingly touching
This sets the relationship between Karan and Duryodhana in modern times, in criminal setting and tries to answer the age old question, "Why was a supposedly good person like Karan adamant on his friendship with Duryodhana? What bonded the two for life?"
Maniratnam's story, screenplay, dialogues and direction are meant to make you invest in and care for the protagonists, to pray for them, to be fascinated by them and also to be repelled by their actions and intrigued by their motivations. And he succeeds spectacularly. The drama is of the highest notch, with many a scene guaranteed to make you reach out for your nearest handkerchief or shoulder.
The action sequences are particularly intense, with no background score, the only sounds being of fists crashing against different body parts. I haven't experienced such visceral thrills in a long time.
Illyaraaja's music and the background score are beautiful. I had to look at the subtitles to understand the words and hence, I was a bit behind the curve on occasion. But, the music has been masterfully created to make you feel pathos and pathos you feel, upon hearing it. However, one of the few grouses with the movie that I had was the frequent song and dance sequences. I understand that this was a commercial potboiler, but, these broke the tension created by the proceedings. And the songs were longer than 5 minutes on most occasions.
The acting is, almost surreally, exceptional.
Like Kamal Haasan after him, the Hindi movie writers have tried to "Bollywoodize" Mr. Kanth rather than letting him be. Those who get surprised by the frenzy and emotions that surround his every release should watch him in this. They would come away enlightened.
I have seen only bits and pieces of Rajnikanth's acting prowess, in roles that were under cooked, such as those in "Hum" and "Andha Kanoon". The intensity of his performance, here, is like a physical thing, which crashed into me and left a mark on my psyche. It is breathtaking and barely believable. It must be easily one of his finest acts. This is all the more appreciable as there was ample opportunity for hamming it up. But, you only have to stare into the depth of his eyes to believe in the credibility of his threat.
Mamooty is excellent as the benevolent don. However, Rajnikanth is in such exquisite form, that he outshines Mamooty in almost all the scenes that they have together. Srividya shines in the role of Kunti. Arvind Swamy doesn't have much to do, in terms of acting. Amrish Puri is wasted. The film would not have been poorer, if his role had been completely edited out. The origin or the reason for his animosity with Mamooty is never revealed and that takes away some of the sheen of believability from his actions.
The editing could have tighter. Also, there were perhaps too many coincidences that served to drive the story forward. I didn't find a fault in them, as they helped to ratchet up the tension and the drama. But, perhaps, this could have been minimized.
Also, the production house / Amazon Prime Videos would do well to upload a better copy of the movie. The video often became pixellated, which wasn't expected. There are many scenes wherein the background score is missing. Thankfully, none of the dialogues have been affected.
Maniratnam's story, screenplay, dialogues and direction are meant to make you invest in and care for the protagonists, to pray for them, to be fascinated by them and also to be repelled by their actions and intrigued by their motivations. And he succeeds spectacularly. The drama is of the highest notch, with many a scene guaranteed to make you reach out for your nearest handkerchief or shoulder.
The action sequences are particularly intense, with no background score, the only sounds being of fists crashing against different body parts. I haven't experienced such visceral thrills in a long time.
Illyaraaja's music and the background score are beautiful. I had to look at the subtitles to understand the words and hence, I was a bit behind the curve on occasion. But, the music has been masterfully created to make you feel pathos and pathos you feel, upon hearing it. However, one of the few grouses with the movie that I had was the frequent song and dance sequences. I understand that this was a commercial potboiler, but, these broke the tension created by the proceedings. And the songs were longer than 5 minutes on most occasions.
The acting is, almost surreally, exceptional.
Like Kamal Haasan after him, the Hindi movie writers have tried to "Bollywoodize" Mr. Kanth rather than letting him be. Those who get surprised by the frenzy and emotions that surround his every release should watch him in this. They would come away enlightened.
I have seen only bits and pieces of Rajnikanth's acting prowess, in roles that were under cooked, such as those in "Hum" and "Andha Kanoon". The intensity of his performance, here, is like a physical thing, which crashed into me and left a mark on my psyche. It is breathtaking and barely believable. It must be easily one of his finest acts. This is all the more appreciable as there was ample opportunity for hamming it up. But, you only have to stare into the depth of his eyes to believe in the credibility of his threat.
Mamooty is excellent as the benevolent don. However, Rajnikanth is in such exquisite form, that he outshines Mamooty in almost all the scenes that they have together. Srividya shines in the role of Kunti. Arvind Swamy doesn't have much to do, in terms of acting. Amrish Puri is wasted. The film would not have been poorer, if his role had been completely edited out. The origin or the reason for his animosity with Mamooty is never revealed and that takes away some of the sheen of believability from his actions.
The editing could have tighter. Also, there were perhaps too many coincidences that served to drive the story forward. I didn't find a fault in them, as they helped to ratchet up the tension and the drama. But, perhaps, this could have been minimized.
Also, the production house / Amazon Prime Videos would do well to upload a better copy of the movie. The video often became pixellated, which wasn't expected. There are many scenes wherein the background score is missing. Thankfully, none of the dialogues have been affected.
Good..mustwatch..modern mahabharatha..career besst performance by rajnikanth..great acting by mammokka
For this movie, 10 out of 10 is probably too low. That's how good this movie is. Among Tamil cinema's timeless classics, it came in the late 80's and now its 2010 but still I watch it with the same enthusiasm and clap/whistle at some of the dialogues from this film. Maniratnam had a hard time directing Rajnikanth and Mammootty but if he can give a product like this through such hardships, I pray he goes through such hardships again (Sorry Mani Sir!). Ilayaraja is the life and soul of this film. Rajni's best ever performance along with Mammooty. There were the few Nayagan inspirations (Doing good for 4 people cannot be wrong, the inspector beating the hero and then the inspector getting killed by the same hero, etc). Who else can take the Karna-Duryodhana friendship from the Mahabharatha and weave such a magical story in accordance to today's times? Mani is magic!
I think it's one of the best movie of Rajini Kanth. Excellent performance of Mammookka. I watched this movie on Mammookka's 69th B'day. I know it's too late. Regretted on the late watch. And the direction part - nothing to say , its from Legend. Mani Ratnam sir
Did you know
- TriviaThe movie is based on Mahabharata, with Rajinikanth representing Karnna, Mammootty playing Duryodhana and Arvind swamy playing Arjuna, all in contemporary world. The characters are brilliantly written to fit into modern day life, yet retaining the original traits.
- ConnectionsFeatured in Spadikam (1995)
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Details
Box office
- Gross worldwide
- $3,146
- Runtime2 hours 37 minutes
- Color
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