Raise the Red Lantern (1991)

A young woman becomes the fourth wife of a wealthy lord, and must learn to live with the strict rules and tensions within the household.

Director:

Yimou Zhang

Writers:

Su Tong (original novel "Wives and Concubines" by), Ni Zhen (scriptwriter)

Stars:

Li Gong, Jingwu Ma, Saifei He

Nominated for 1 Oscar. Another 21 wins & 13 nominations.

Cast

Complete credited cast:
Li Gong	...	Songlian
Saifei He	...	Meishan (Third Wife)
Jingwu Ma	...	The Master
Cuifen Cao	...	Zhuoyan (Second Wife)
Qi Zhao	...	Housekeeper
Lin Kong	...	Yan'er
Shuyuan Jin	...	Yuru (First Wife)
Weimin Ding	...	Songlian's Mother (voice)
Zhengyin Cao	...	Old Servant
Zhigang Cui	...	Dr. Gao (as Zhihgang Cui)
Chu Xiao	...	Feipu

Storyline

China in the 1920's. After her father's death, nineteen year old Songlian is forced to marry Chen Zuoqian, the lord of a powerful family. Fifty year old Chen has already three wives, each of them living in separate houses within the great castle. The competition between the wives is tough, as their master's attention carries power, status and privilege. Each night Chen must decide with which wife to spend the night and a red lantern is lit in front of the house of his choice. And each wife schemes and plots to make sure it's hers. However, things get out of hand...

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Plot Keywords:

1920s | power struggle | tradition | red lantern | china | 

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Taglines:

China, 1920. One master, four wives.

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Genres:

Drama | History | Romance

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Certificate:

PG

Details

Country:

China Hong Kong Taiwan

Language:

Mandarin

Release Date:

18 December 1991 (Italy)

Also Known As:

Raise the Red Lantern

Filming Locations:

Taiyuan, Shanxi, China

Box Office

Opening Weekend USA:

$22,554, 15 March 1992

Gross USA:

$2,603,061

Cumulative Worldwide Gross:

$2,603,061

Company Credits

Production Co:

ERA International, China Film Co-Production Corporation, Century Communications

Technical Specs

Runtime:

125 min

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Ranked number 93 non-English-speaking film in the critics' poll conducted by the BBC in 2018.

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Goofs

Around 01:18:59, there is a lot of smoke in front of the third wife. And there is almost no smoke in front of the second one.

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Quotes

Songlian: I'm just one of the Master's robes. He can wear it or he can take it off.

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Connections

Referenced in At the Movies: Star Trek: Generations/The Swan Princess/Miracle on 34th Street/The Professional/To Live (1994)

User Reviews

Beyond words

This movie has it all, betrayal, conflict and tragedy. I have to say that I couldn't live without it, effectively anyway. The political criticisms tear at the spine of the film and the beauty of it in such an intimate setting is outstanding. The use of such a rich, three dimensional setting defies what we have been taught by the mainstream as being beautiful and sets a standard on a budget that I would love to be aware of, that all Hollywood movies should aspire to. It shows us that film, real film that is, does not need $100 million to look good, rather the combination of a haunting setting in the middle of vastness and the equally haunting beauty of it's star, Gong Li, but at it's heart the house itself resembles a claustrophobic pot, boiling over the surface.

This is in my opinion, Zhang Yimou's greatest film, it is a triumph in film form and narrative. The haunting sounds of flutes, a significant visual and audio element that has a mythical quality due to it's importance to Songlian and becomes an unattainable item of the gods when it is removed from existence when it is burned, becoming a tragic reminder on the attempts to vanquish the personalities of not only Songlian but all of the concubines. It's slow burning nature may repel the masses but anyone who can get a copy, do so without fail, you will never regret it. I cannot stress the importance of this film, we may see it as a study on the oppression of women in China, but this is universal, we westerners once did the same thing not too long ago.

For me the cinematography is what sells the film, it is the best I have ever seen and ever will. If there is ever a film to promote the use of the three strip technicolour process once again, this is it. Long after you have finished your post film analysis, the light from the red lanterns will still be searing in your eyes.