During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Sam Bowden (Nick Nolte)is a small-town corporate attorney/"Leave It to Beaver" type family-man. Max Cady (Robert De Niro) is a tattooed, cigar-smoking, bible-quoting, rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.Written by
The auditorium scene was originally scripted as a chase scene, but Martin Scorsese wanted it to be a seduction. See more »
As Cady approaches the dumpster Sam is hiding behind, the metal pipe he is carrying is in his right hand. However, when he stops walking toward the dumpster it's in his left hand. When he finally gives up and turns away it's in his right hand again. See more »
My reminiscence. I always thought that for such a lovely river the name is mystifying: "Cape Fear". When the only thing to fear on those enchanted summer nights was that the magic would end and real life would come crashing in.
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Later half of the credits are played to the sound of nighttime crickets. See more »
SPOILER: When the movie was originally shown on network television, the blood left by Kersek's killing was optically removed by censors and replaced by a clean tile floor. See more »
Martin Scorcese's filmography as director is one of the most accomplished in modern film history. While Cape Fear can't even hold a candle next to "Taxi Driver", "Raging Bull" and "Goodfellas", it is still a fabulous remake of the 1962 noir classic and it keeps the viewer on the edge right through until the closing credits.
Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.
Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.
Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.
What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.
Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.
Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.
So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.
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