Bugsy

Having won 2 Oscars and 7 nominations, it is clear that "Bugsy" is no ordinary film. And yet, although it can be safely categorized as an impressive piece of work, it still has some distinct flaws which keep it back from getting into the "masterpiece" class.

First of all, one of the indisputable merits of the film is Barry Levinson's direction. Every scene is meticulously prepared, with no detail being ignored; one example of his fine work is the scene where Bugsy and Virginia make love for their first time, and we watch their shades behind the projector's curtain. Barry Levinson has come up with several other great directions throughout his career ("Rain Man" is a good example), but in "Bugsy" he definitely deserved the golden statute for his excellent work.

The performances are also generally good, although here my first objections start to appear: I completely agreed with the idea of casting Keitel as Bugsy's accomplice, and Kingsley as mafia boss; they both fit perfectly in their roles, and their performances were worthy of their respective legends. However, I cannot say the same about the idea of casting Beatty as the paranoid and erratic Bugsy, or Benning as his girlfriend Virginia; although they both tried hard, for some reason their performances didn't quite work out as they should. It seems as if they were the wrong people in the wrong roles. I do not say that Beatty and Benning acted terribly. I simply suggest that their roles should perhaps be awarded to two other actors that would fit more easily in them.

And finally let us come to the plot issue, which is where the most flaws of "Bugsy" appear. The story is basically quite interesting: This is the tale of Ben "Bugsy" Siegel, a strange and erratic mobster, who likes to cheat his committed wife at the first opportunity. His life changes completely when he is sent to L.A. for a job, as he becomes immediately attracted to the city's life, surroundings, and a woman, Virginia, to whom he becomes fixed. While being there, he envisions a great plan, to build a site to what will one day will become Las Vegas. Unfortunately, his vain and grandiose ways, his paranoia, and his erratic style, make things very difficult for himself and for the people around him.

Interesting the plot may be, but it suffers from major gaps; moreover, considering that the plot is based on a true story, the existence of implausibilities becomes more annoying. Even if one argues that they serve an artistic purpose, I would still like the film to be more rational and realistic.

Worse, the story sometimes gets into some great lengths, becoming somewhat tiring. Of course, one could argue that there are gangster movies such as "Once Upon A Time In America", that also get into great length, and still manage to remain masterpieces. Unfortunately, "Bugsy" fails to accomplish this.

And yet, despite its flaws, "Bugsy" is still a good 7/10, film. Pity it didn't manage to get an even higher grade, though...

I have to say when I rented this golden-oldie which so happened to be nominated for Best Picture at the 1991 Osars, I have to say, I wasn't really expecting much. I heard mixed things about it, and the idea of Warren Beatty playing a vicious mobster kind of seemed unbelievable to me (he did a great job in 'Bonnie and Clyde' but that was a little different.) In all honesty, I really found 'Bugsy' to not only be a very entertaining and enjoyable film, but also very well-made and Oscar-worthy one. Warren Beatty gives an unprecedented performance as the tough mafioso, Bugsy Siegel, who first had the idea of putting casinos in Las Vegas. Annette Bening in an equally brilliant performance plays Bugsy's calculating goomar. The supporting cast is very solid with strong performances from Elliot Gould, Joe Mantegna as actor George Raft, and especially Ben Kingsley as the swift and smart mobster with a heart of gold and Harvey Keital as the mean and ruthless killer who becomes partners with Siegel to start up a hotel/casino. Barry Levinson does a great job directing this period piece which is true to the period (the 1940s), and the screenplay isn't half bad either. Beatty, Keital and Kingsley picked up Oscar nods, along with Levinson for Best Director and the wonderful Annette Bening was somehow unfairly snubbed. If you want to see a cool mob picture that takes place in the 40s, why don't you give 'Bugsy' a shot? It's worth it. Grade: B+

This is an exciting tale of how Bugsy Siegel started Las Vegas . As New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A violent and tough Siegel (Warren Beatty) doesn't hesitate to kill or maim anyone crossing him . Bugsy meets George Raft (Joe Mantegna) while is making a film (it is ¨Manpower¨ which co-starred Edward G. Robinson) and the scene being shot where George gets into a bar fight and hands a broken chair to an actress really does appear in the actual movie . In L.A. the life , the motion pictures , and most of all a second-range actress named Virginia Hill (Annette Bening) detain him while his wife (Wendy Phillips) wait back home . Then a journey to a run-down gambling joint at a spot in the desert gives him his big idea , the Hotel Flamingo construction .

Enjoyable film based on the famous mobster that contains drama , real events , thrills and lots of violence . The picture relies heavily on the relationship between Bugsy and his lover Virginia Hill , and about the luxurious Hotel Flamingo building in Las Vegas . Nice acting from protagonist duo as Warren Beatty playing the sharp-dressing womaniser with a foul temper and Annete Bening as the strong-willed actress . After working on this film, Warren Beatty and Annette Bening were married . They'd met several years before when she auditioned for another Beatty production ; they met again when she was seriously considered for the role of Tess Trueheart in Dick Tracy . This is one of three movies released in 1991 that featured Bugsy Siegel as a character , the other two were ¨The Marrying Man¨ and ¨Mobsters¨ . Good production design by Dennis Gassner , most of the Las Vegas scenes of the Flamingo construction were filmed near Palm Desert and La Quinta, California, where a full-sized replica of the Flamingo was built . Emotive and sensitive musical score by the great Ennio Morricone . Colorful and evocative cinematography by Allen Daviau . The picture was professionally directed by Barry Levinson .

The flick was well based on real deeds , these are the followings : During adolescence, Siegel befriended Meyer Lansky (Ben Kingsley) , who was forming a small crew whose criminal activities expanded to include gambling and car theft . In 1930, Lansky and Siegel built close ties to Charles "Lucky" Luciano and Frank Costello (Caridi), both future bosses of the Genovese (Carrara) crime family. Bootlegger Siegel was also associated with Albert "Mad Hatter" Anastasia. Siegel was also heavily involved in bootlegging operations in various cities . During the so-called Castellammarese War in 1930-1931, they fought the gang of Sal Maranzano ; Siegel reputedly had a hand in Maranzano's murder and later in the formation of Murder , Inc . Lansky and Siegel assisted with Luciano's (Bill Graham) brief alliance with Dutch Schultz and killed rival loan sharks Amberg . In 1937, the East Coast mob sent Siegel to California to develop syndicate gambling rackets with Los Angeles mobster Jack Dragna (Richard C Sarafian) . Once in L.A. , Siegel recruited gang boss Mickey Cohen (Harvey Keitel) as his lieutenant. Siegel used syndicate money to set up a national wire service to help the East Coast mob quicken their returns . With the aid of actor friend George Raft (Joe Mantegna) , Siegel gained entry into Hollywood's inner circle . Siegel soon started an affair with Virginia Hill . The Alabama-born Hill lived in a mansion in Beverly Hills that she rented from Metropolitan Opera baritone Lawrence Tibbett . Siegel, Whitey Krakow, and two other gang members killed Harry "Big Greenie" Greenberg (Elliot Gould) . Greenberg had become a police informant, and Louis "Lepke" Buchalter, boss of Murder, Inc., ordered his killing. Siegel was arrested and tried for the Greenberg murder. Whitey Krakower was killed before he could face trial. Siegel was acquitted on the Greenberg murder, but his reputation was in ruins.

An autobiographical feature focused on the LA period of life of notorious gangster Ben "Bugsy" Siegel (Warren Beatty), together with his ill-fated investment into the creation of what would become the Las Vegas gambling empire. Closely following this period of his life creates a screen version of the Ben Siegel character, which now probably dominates general perception. Warren Beatty gives Bugsy a measurable charm and a degree of intellectual flair, which may not necessarily comply with the portrayal of his person of the times.

Known as being well acquainted with Hollywood circles, he was also described as being ruthless and apt for aggressive compulsive behaviours. Certain such aspects do feature in the opening sequences, but increasingly into the picture Bugsy is shown as calm, collected and focused on his public image. Fatefully he is also drawn as a sort of mafia dreamer, whose vision far exceeded that of other mafioso of the time, thus being key behind the over-budgeted exuberance of building "The Flamingo", thus becoming the basis for creating the economic power that is Las Vegas. At the time however his input was ridiculed, ultimately leading to his death due to overspending of mafia money (albeit truth be told the role of William Wilkerson is absolutely ignored giving Bugsy the sole credit for building Las Vegas).

Warren Beatty also offers his strong presence to further romanticise Bugsy Siegel, mostly through to his dedicated love affair with minor actress Virginia Hill (Annette Bening). With some historic liberties in place Bugsy is shown as a somewhat obsessed and head-over-heels blind lover, who falls over for the wrong girl, thus bringing about his downfall. This almost idyllic portrayal of one of America's most ruthless criminals would have to be its biggest flaw, thus creating a image well in tune with the American dream, but much detached from the bloody and dirty details behind mafia. Overall a pretty darn good film, but somewhat discredited by overly idolising and overstating Ben Siegel as a hopeless dreamer and sole mastermind behind Las Vegas.

This highly fictionalized account of Ben "Bugsy" Siegal's life looks and sounds great. I wish that films actually made in the 1940s looked this good. The ballroom scenes and the big bands are all perfect, the automobiles long and shiny. When Warren Beatty made a period piece, it usually looked very good, so this was not a surprise.

So Beatty portrays Ben Siegal as a sociopathic gangster whose curse is that he is a dreamer who is careless with money. He somewhat dreams of being in pictures and enjoys the glamor of Hollywood, but ultimately dooms himself when he falls in love with an idea - building a casino in the middle of nowhere in Nevada, where prostitution and gambling are legal. He argues to his mob investors that they can be 100% legitimate. And if they decide to be less than 100% legitimate, he figures controlling the gambling interests in a state where it is legal and at that point - the 1940s - unexploited, he can eventually control the state.

The other decision he makes that dooms himself is getting involved with Virginia Hill (Annette Bening), a kindred spirit in all the wrong ways. They fight violently, make up violently, and she ultimately gets grabby with the mob money that is the construction funds for the Flamingo. This was a very versatile role for Annette Bening as Hill, and is probably the best thing she ever did. She was slated to be Cat Woman in a film the following year, but she managed to do something much more remarkable - actually get Beatty to enter into matrimony - an institution he had skillfully avoided up to that point - in a union that yielded four children. And she also appears to be the model for the Columbia Lady with a Torch - although everybody denies it in spite of Beatty's heavy investment in Sony/Columbia.

Other interesting performances - Ben Kingsley as the low key Meyer Lansky. In spite of being a Best Actor Oscar winner, that honor never really paid off for him in break-out roles. Elliott Gould as the hapless Harry Greenburg. Honestly, you rat on the mob and another member of the mob asks you to go for a ride and you say you love riding in the night air? The underrated Joe Mantagna as just "George". Since "George" was starring in the film "Manpower" that was shooting as Bugsy looks on, that had to be George Raft. Were they afraid the Raft estate would sue, and who exactly is the Raft estate since Raft never had any kids?

Finally, not so much an interesting performance but an interesting vignette - Bugsy walks up to singer/actor Lawrence Tibbett's house and pays him sixty thousand in cash for it. Like so much of the movie, this never happened. But Tibbett's kids did object to the portrayal of their dad as a short elderly overweight wimpy guy. But somehow, the film makers were NOT afraid of the Tibbett estate!

The one thing that annoyed me about this film - the score by Ennio Morricone. It never breaks out into any particular kind of mood, and it sounds enough like one of Morricone's other scores - the one for The Untouchables - that it sounds like if it were to take off it would sound exactly like that score.