John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The studio greenlit the film in the interest of making a film similar to the Spike Lee film Do The Right Thing (1989). See more »
When Ferris fires his gun during the Crenshaw Blvd scene, the girl in the pink coat he is with reacts in the shot focused on the red car, when he had already been firing several rounds previous to this shot. See more »
[Furious has shot at a burglar]
Somebody must have been praying for that fool, cause I swear I aimed right for his head.
Tre Age 10:
You should have blew it off.
Don't say that. Don't say that. Just would've contributed to the killing of another brother.
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After the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen See more »
The Criterion Collection laserdisc features two scenes deleted from the theatrical version. They are as follows: Tre and his mother have a telephone conversation about his future with Brandi and college. Doughboy has a confrontation with Furious after Ricky gets shot. See more »
John Singleton's best film also proved to be one of my favorite movies about life in the streets. Cuba Gooding, Jr. displayed early on he was going to be a respectable actor. The power of the film has yet to be matched as most modern interpretations of street life prove to be violent stylizations. While Singleton has taken a couple missteps along the way, this film still stands up rather well by today's standards. The motives and actions appear realistic, especially Doughboy's thirst for revenge. A good film, which not only helped improve Laurence Fishburne's career, but introduced us to Gooding.
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