In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him. Writer Eugene follows them and writes their story, as a way of recording dreams is being invented.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film... See full summary »
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film.Written by
Ed Sutton <firstname.lastname@example.org>
The 4h33 Director's Cut was given a 4K restoration in 2014 by Arri Film & TV Services Berlin, with support from the French National Centre for Cinema (CNC). See more »
When Bert is shown as the guitarist in Chico's impromptu band for the first time, he hands the guitar to the green-shirted man on the bridge while the rest of the band keeps playing. But when the scene cuts to a different angle, Bert is still playing the guitar. See more »
Paris Station Graffiti:
The end of the Century, the end of us!
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The 280 minute version was shown at the American Cinematheque Sunday Jan. 14, 2001 with director Wim Wenders attending and answering questions. See more »
I agree with the comments made earlier concerning the denouement but that's only a disappointment if you look at the movie literally instead of figuratively. As in his other movies like Paris, Texas, the backdrops become another character in the film. Just like the title entails, Wenders was challenged to get the WHOLE world into his movie. He has succeeded. At the end of "The End of The World", we finally see it as we should all see the Earth.
The characters represent different ideologies of the different countries they're from and Wenders uses this to develop the plot.
These "countries" are trying to seize control of one man's vision and a source of power. However, they soon find out that not one of them can control the outcome of the movie.
The movie is Wender's commentary on global politics and socioeconomics. He portrays the world in a flurry of action from a European car chase to a U.S.A in recession, to a dichotomized Japan, and to an isolated Australia. It is an accurate depiction of the world we are living in now because that is how the movie was filmed - out in the streets of the real world circa the end of the 20th century which enhances the theme of the movie.
If you watch this movie you will believe you are living at "The End of the World". The movie is even better NOW then when it first came out. It's been 13 years since the first showing and I'm 28. Being a teenager, the sci-fi, action, fast-pace and the heroine's romance with William Hurt held my attention but to truly appreciate the WHOLE MOVIE you have to get past the juvenile/pop culture themes.
Being a woman, I identified with the heroine and the way she acts at the end of the movie and I think you will, too. The men will relate to the narrator because they tend to distance themselves from what's really going on in this movie and "cut to the chase". Overall, the movie is good for the whole family to watch except for one nude scene.
This "summary" took me awhile to write but as I went through the process of analyzing the movie from memory it became easier and easier as the film's key scenes flashed into my head. This only proves how powerful and clear Wenders' vision is as a director.
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