Having lived a life in selfishness, young Prince Adam is cursed by a mysterious enchantress to having the appearance of a monstrous beast. His only hope is to learn to love a young woman and earn her love in return in order to redeem himself. Ten years later, his chance shows itself when a young maiden named Belle (Paige O'Hara) offers to take her ill father Maurice's (Rex Everhart's) place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him. Back in the village however, unscrupulous hunter Gaston (Richard White) has his own plans for Belle.Written by
Blazer346
Right after Beast goes mad and leaves because Belle won't go down to dinner with him, you can see on the walls of the corridor "Girl With an Earring" by Johannes Vermeer and "The Laughing Cavalier" by Frans Hals. See more »
Goofs
When Gaston enters Belle's house to propose, his boots are clean. But as soon as he puts his feet up on the table, they are now dripping mud on Belle's book. See more »
Quotes
[first lines]
Narrator:
Once upon a time, in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found ...
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Crazy Credits
The opening prologue and end title appear within stained glass windows. See more »
Alternate Versions
When the movie was released on DVD in October 2002, it offered three versions of the film: The "Special Edition" (the 2002 IMAX re-release), the "Work-In-Progress Edition" (with Belle in the "Be Our Guest" sequence; the original work-in-progress cut featured Maurice in this sequence), and the "Original Theatrical Release". The "Work-In-Progress Edition" and the "Original Theatrical Release" are both actually identical to the 2002 IMAX/"Special Edition" re-release, except that it retains the original animation of the footage from the end of "Something There" until Belle's release from the castle (this includes the retention of Cogsworth's original animation in his conversation with the Beast after Belle is freed) and the original end credits sequence. All of the other edits that were made to the 2002 IMAX re-release (the cleaned-up animation, no stuttering Beast, etc.) are also present in this version. See more »
I've not seen the newly added song sequence (Human Again) featured in the latest IMAX version so my comments are based entirely on the original theatrical and VHS release.
BEAUTY AND THE BEAST is Disney at its peak. From the stained glass window at the opening and the beautiful narration, the viewer is drawn into the story by the appealing music and clever lyrics ("Belle's Song") which gets the picture off to a bouncy start. The opening sequence showing Belle and the townspeople in song is masterfully handled and choreographed for maximum effect, setting the tone for the entire story.
The plot becomes thicker once Belle's father enters the castle grounds where the Beast resides. The castle interiors are brilliantly Baroque and the odd characters inhabiting the grounds are delightfully rendered by a perfect blending of art and voice talent. Cogsworth, Lumiere and Mrs. Potts are delightful creations, each with strong, consistent personalities. David Ogden Stiers, Jerry Orbach and Angela Lansbury cannot be praised enough for their contributions.
Two of the musical highlights are Orbach's dazzling job on "Be My Guest" (with French accent) and Angela's tender rendering of the title song, "Beauty and the Beast". Unforgettable movie moments. As Gaston, Richard White's robust baritone voice adds greatly to the effectiveness of his villainy.
It's no wonder the film was the first to receive recognition by the Academy with a Best Picture nomination. Outstanding in every department, including the end title song sung by Celine Dion and Peabo Bryson in a more "modern" style.
Along with SNOW WHITE and SLEEPING BEAUTY, a top-notch fairy tale with its appeal evenly divided between adults and children--as well as the child in all of us.
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I've not seen the newly added song sequence (Human Again) featured in the latest IMAX version so my comments are based entirely on the original theatrical and VHS release.
BEAUTY AND THE BEAST is Disney at its peak. From the stained glass window at the opening and the beautiful narration, the viewer is drawn into the story by the appealing music and clever lyrics ("Belle's Song") which gets the picture off to a bouncy start. The opening sequence showing Belle and the townspeople in song is masterfully handled and choreographed for maximum effect, setting the tone for the entire story.
The plot becomes thicker once Belle's father enters the castle grounds where the Beast resides. The castle interiors are brilliantly Baroque and the odd characters inhabiting the grounds are delightfully rendered by a perfect blending of art and voice talent. Cogsworth, Lumiere and Mrs. Potts are delightful creations, each with strong, consistent personalities. David Ogden Stiers, Jerry Orbach and Angela Lansbury cannot be praised enough for their contributions.
Two of the musical highlights are Orbach's dazzling job on "Be My Guest" (with French accent) and Angela's tender rendering of the title song, "Beauty and the Beast". Unforgettable movie moments. As Gaston, Richard White's robust baritone voice adds greatly to the effectiveness of his villainy.
It's no wonder the film was the first to receive recognition by the Academy with a Best Picture nomination. Outstanding in every department, including the end title song sung by Celine Dion and Peabo Bryson in a more "modern" style.
Along with SNOW WHITE and SLEEPING BEAUTY, a top-notch fairy tale with its appeal evenly divided between adults and children--as well as the child in all of us.