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Beauty and the Beast (1991)

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A selfish prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.

Writers:

Linda Woolverton (animation screenplay by), Brenda Chapman (story by) | 9 more credits »
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831 ( 566)
Top Rated Movies #250 | Won 2 Oscars. Another 27 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robby Benson ... Beast (voice)
Jesse Corti ... Lefou (voice)
Rex Everhart ... Maurice (voice)
Angela Lansbury ... Mrs. Potts (voice)
Paige O'Hara ... Belle (voice)
Jerry Orbach ... Lumiere (voice)
Bradley Pierce ... Chip (voice) (as Bradley Michael Pierce)
David Ogden Stiers ... Cogsworth / Narrator (voice)
Richard White ... Gaston (voice)
Jo Anne Worley ... Wardrobe (voice)
Mary Kay Bergman ... Bimbette (voice)
Brian Cummings ... Stove (voice)
Alvin Epstein Alvin Epstein ... Bookseller (voice)
Tony Jay ... Monsieur D'Arque (voice)
Alec Murphy Alec Murphy ... Baker (voice)
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Storyline

Having lived a life in selfishness, a young prince is cursed by a mysterious enchantress to having the appearance of a monstrous beast. His only hope is to learn to love a young woman and earn her love in return in order to redeem himself. Years later, his chance shows itself when a young maiden named Belle offers to take her ill father's place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him. Back in the village however, an unscrupulous hunter has his own plans for Belle. Written by Blazer346

Plot Summary | Plot Synopsis

Taglines:

The most beautiful love story ever told as it has never been seen before. [IMAX version] See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Disney [Japan] | Official Facebook | See more »

Country:

USA

Language:

English | French

Release Date:

22 November 1991 (USA) See more »

Also Known As:

Beauty and the Beast 3-D See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$2,073,437, 11 January 2002, Limited Release

Gross USA:

$218,967,620

Cumulative Worldwide Gross:

$424,967,620
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

Dolby Stereo (Dolby Stereo) (Stereo)| Dolby Digital (special edition)| DTS (special edition)| SDDS (special edition)

Color:

Color (Technicolor)

Aspect Ratio:

1.78 : 1 / (high definition)
See full technical specs »
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Did You Know?

Trivia

All of the dialogue spoken by Tony Jay (Monsieur D'Arque) heard in the film was recorded during his audition. He gave two readings. The reading heard in the film was using what Jay called his "Masterpiece Theater voice". This brief role led to him being cast as Judge Claude Frollo in The Hunchback of Notre Dame (1996), another film directed by Gary Trousdale and Kirk Wise and set in France. See more »

Goofs

During a reference to France in the "Be Our Guest" number, a vision of the Eiffel Tower is formed, which didn't exist yet. See more »

Quotes

[first lines]
Narrator: Once upon a time, in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found ...
See more »

Crazy Credits

The opening prologue and end title appear within stained glass windows. See more »

Alternate Versions

When the movie was released on DVD in October 2002, it offered three versions of the film: The "Special Edition" (the 2002 IMAX re-release), the "Work-In-Progress Edition" (with Belle in the "Be Our Guest" sequence; the original work-in-progress cut featured Maurice in this sequence), and the "Original Theatrical Release". The "Work-In-Progress Edition" and the "Original Theatrical Release" are both actually identical to the 2002 IMAX/"Special Edition" re-release, except that it retains the original animation of the footage from the end of "Something There" until Belle's release from the castle (this includes the retention of Cogsworth's original animation in his conversation with the Beast after Belle is freed) and the original end credits sequence. All of the other edits that were made to the 2002 IMAX re-release (the cleaned-up animation, no stuttering Beast, etc.) are also present in this version. See more »

Connections

Featured in Breakfast: Episode dated 24 September 2010 (2010) See more »

Soundtracks

Beauty and the Beast
(uncredited)
Music by Alan Menken
Lyrics by Howard Ashman
Performed by Angela Lansbury
Produced by Howard Ashman and Alan Menken
Arranged by Alan Menken and Danny Troob
Orchestrated by Danny Troob
See more »

Frequently Asked Questions

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User Reviews

Classy piece of animation
27 March 2005 | by bob the mooSee all my reviews

When an arrogant Prince turns away an old woman looking for shelter with only a rose for a gift, she warns him not to just take the surface appearance as being the all of a person; however he rejects her a second time – only for her to reveal herself as a beautiful enchantress. She casts a spell on him, turning him into a beast with the only hope of return being to fall in love with a woman and have her fall in love with him before the rose wilts and dies. Resembling a carpet stuffed with walnuts, the prince figures he has no chance and withdraws into his castle. When an elderly man wanders into the castle, the Beast holds him prisoner and only lets him go when his daughter, Belle, offers to replace him in the Beast's castle. With time running out, the Beast's staff hope that Belle will be the one to break the curse but the Beast cannot remember how.

Being quite a cynical, acerbic person I must admit that I prefer modern animated films that deliver lots of adult humour along with a good emotional story and often I struggle to enjoy films that take the more traditional Disney route. However with this film I was quite taken by how classy the whole affair was, with great effort being shown in every area from the animation, to the songs through to the emotionally involving story whose telling is touched with a nice sense of wonder throughout. The story doesn't really hit many bum notes (I thought Gaston's sidekick was a bit too obvious and half cooked) and it is interesting and enjoyable for the vast majority of the time. The story and comedy is aimed at both adults and children – but the stuff for kids is not basic pratfalls, nor is the adult material just a load of references or suggestive jokes. Instead the two are quite well blended with good physical comedy and plenty of wit. Again, it is the sense of spectacle and wonder that came through that I really appreciated.

The animation feels more impressive for the reliance on mostly traditional animation rather than computer effects – in fact the computer effects look a bit dated now, even if they do still produce the goods in some key scenes. Mainly it is the feeling that every frame has had a lot of effort and love put into it that makes the whole affair feel classy. The songs are also great and feature quite a few memorable songs that stick in the mind; meanwhile the choreography of these scenes is generally very imaginative (Be Our Guest was my favourite). The cast don't feature many big stars and perhaps this is good because the real people don't distract from their characters. That said, I thought that Benson, O'Hara, White and a few others were quite unremarkable even if they were good enough for the film. Orbach, Stiers, Lansbury and others provided comic work in the support characters and everything worked well.

Overall this is a really classy animated film that shows the effort and care put into it in many different regards. It does suffer a bit from cuteness and sentimentality but I didn't think this was a massive problem or something that was not to be expected from Disney and generally I really enjoyed the film and see it as one of the films that define Disney for people of my generation.


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