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The Lovers on the Bridge (1991)

Les amants du Pont-Neuf (original title)
R | | Drama, Romance | 2 July 1999 (USA)
Alex, who's homeless and addicted to alcohol, and Michèle, who's losing her sight, form a relationship while sleeping rough on Paris's Pont-Neuf bridge.

Director:

Leos Carax

Writer:

Leos Carax
Reviews
Nominated for 1 BAFTA Film Award. Another 4 wins & 6 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Juliette Binoche ... Michèle Stalens
Denis Lavant ... Alex
Daniel Buain Daniel Buain ... L'ami clochard / Alex's vagrant friend
Klaus-Michael Grüber Klaus-Michael Grüber ... Hans
Marion Stalens Marion Stalens ... Marion
Chrichan Larsson Chrichan Larsson ... Julien (as Chrichan Larson)
Paulette Berthonnier Paulette Berthonnier ... La marinière / Barge operator
Roger Berthonnier Roger Berthonnier ... Le marinier / Barge operator
Edith Scob ... La femme en voiture
Georges Aperghis Georges Aperghis ... L'homme en voiture
Michel Vandestien Michel Vandestien ... Le pompier
Georges Castorp Georges Castorp ... Un endormi
Marc Desclozeaux Marc Desclozeaux ... Un endormi
Alain Dahan Alain Dahan ... Un endormi
Pierre Pessemesse Pierre Pessemesse ... Un endormi
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Storyline

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind. The film portrays the harsh existence of the homeless as Alex, Michele and Hans, an older vagrant survive on the streets with their wits. As they both slowly get their lives back together, Michele becomes increasingly dependent on Alex as her vision deteriorates further. Fearing that Michele will leave him if she receives a new medical treatment Alex attempts to keep Michele practically a prisoner. The streets, skies and waterways of Paris are used as a backdrop to the story in a series of stunning visuals which dominate the film. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Romance... In a most unlikely place.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for violence, language, sexuality/nudity and substance abuse | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

2 July 1999 (USA) See more »

Also Known As:

The Lovers on the Bridge See more »

Filming Locations:

France See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$21,482, 4 July 1999

Gross USA:

$29,679

Cumulative Worldwide Gross:

$29,679
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

In season 2 episode 4 of Malcolm in the Middle "Dinner Out", Kitty tells Lois that she and her husband recently viewed this film. See more »

Quotes

Michèle Stalens: My dreams sent me. People in dreams, ought to call them when you wake. Make life simpler. "Hello, dreamed of you. Love woke me".
See more »

Crazy Credits

After the last end title, during a fraction of a second, there is a handwritten inscription "à Luje - Amour - A." (To Luje - Love - A.) A. stands for Alexandre (Leos Carax' real first name) and Luje for Juliette (Binoche). See more »

Connections

Featured in Enquête sur un film au-dessus de tout soupçon (1991) See more »

Soundtracks

Ya Saken Elali
written by Assi Rahbani, Mansour Rahbani & Philemon Wehbe
performed by Fairuz
See more »

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User Reviews

 
Obsession and possession at the edge of darkness
4 April 2007 | by terraplaneSee all my reviews

Obsession, addiction, violence and love. Sometimes all four at the same time. If nothing else, this movie is a complete roller-coaster ride through the emotions. It's hard to say whether it's really a love story. Is it love when you want to possess someone to the point where you would rather they go blind than go away? Is it love to want to drag someone down with you to bottom of your own degradation? Is it love when you would take someone's life because they wanted to go home? But then again, is it love when you allow all this to happen and still come back for more? I have my doubts.

This is really a story of obsession and possession between two people who find themselves marooned out on the edge of human existence. They find something like tenderness, something like love by holding on to each other like two children lost in the dark woods. But obsession is ultimately destructive and so it is here. Alex wants Michelle but never really shows any real tenderness. He has nothing to offer except cheap wine and an old overcoat. He is destructive, violent and child-like. The relationship between Alex and Michelle is quite impossible to comprehend sometimes. What this movie does have is passion. But this is real life passion. Real and raw. If you ever see real people like Alex and Michelle, and they do exist, you can see how they cling to each other, how they abuse each other, how they are possessed by their lifestyle, unable or unwilling to fight their way out of their humiliation. So in the end they just drag each further down, drowning in hopelessness.

But just as you think the story is going to end in tragedy...well you have to watch it for yourself.

The cinematography in this movie is breathtaking at times, but in a very unconventional way. It is beautiful to watch even though there is precious little that is attractive. Paris looks by turns both shiny and exciting and then dark, grey and filthy. Which, if you've been there, you will know is exactly how it is. There is not a single shot of any famous Parisian landmark either. Only the river Seine and the bridges around Pont Neuf are part of the landscape in this story.

It's really an ensemble piece for two characters; two characters caught up in obsession, possession and some kind of love story. The two lead actors, Juliette Binoche and Dennis Levant produce performances of real emotional power and subtlety. There is nothing coming out of Hollywood to match movies like this, nor are there many actors, if any, who could get close to performances like these. One day the Academy will begin to recognise that acting and movies is not just about box office returns and bestow their awards on movies like this.


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