Two sisters Beatrice (Bee) and Evangeline (Evie) hit rock bottom when their father passes away leaving them in debt. Uneducated they strive hard to find jobs deemed worthy of their new ...
See full summary »
The sisters forge ahead with ahead their planned show and receive an added boost when Victor Stride makes a public apology. His offer to promote their line in his new magazine is viewed somewhat ...
The sisters' problems are increased when rival couturier Maison Gille opens in competition to them, poaching some of their customers and resulting in Agnes and Betty being laid off. Evie and ...
The house employs widowed tailor Charles Quance as the replacement for Florence. Ralph's fraudulent activities in his efforts to bankrupt the Elliotts and take control of the business are finally ...
Two sisters Beatrice (Bee) and Evangeline (Evie) hit rock bottom when their father passes away leaving them in debt. Uneducated they strive hard to find jobs deemed worthy of their new guardian. What they can do ,is make amazing clothes and both dream of being able to be dress makers under the Elliott name. There is of course love problems on top of those money ones, oh to be young in a changing world.Written by
Abigail Duffin
Exterior shots took place at 24 Berkeley Square, Bristol, which was at the time (and still is) home to Taylor and Taylor advertising agency. See more »
Well scripted costume soap opera concerning a pair of sisters who build a clothing empire during the roaring twenties, all the while being misled by subterfuge and scandal by various nemeses in the ruthless business of fashion. This series takes the viewer through a decade of trials and tribulations, including births, deaths and marriages.
The largely unknown cast discharge their roles with consummate professionalism of stage actors. Louise Lombard became familiar to TV audiences a decade later in the original CSI series, but none of the other faces are recognisable save for noted stage actress Barbara Jefford who has a recurring role as the Elliott family matriarch in the first season. Eurasian actor Burt Kwouk will also be a familiar face (from the "Pink Panther" movies) in a couple of episodes.
Costumes and sets are the centrepiece of this series, which is understandable considering the fashion content and historical context. Despite an epic thirty-four episodes, the writers manage to build a coherent plot with regular climaxes and the usual soap opera intrigue. Despite probably not being for all tastes, it does represent a polished work, with intelligent script-writing and attention to detail, and should appeal to anyone interested in haute couture fashion or art deco dramas.
7 of 10 people found this review helpful.
Was this review helpful to you?
| Report this
Well scripted costume soap opera concerning a pair of sisters who build a clothing empire during the roaring twenties, all the while being misled by subterfuge and scandal by various nemeses in the ruthless business of fashion. This series takes the viewer through a decade of trials and tribulations, including births, deaths and marriages.
The largely unknown cast discharge their roles with consummate professionalism of stage actors. Louise Lombard became familiar to TV audiences a decade later in the original CSI series, but none of the other faces are recognisable save for noted stage actress Barbara Jefford who has a recurring role as the Elliott family matriarch in the first season. Eurasian actor Burt Kwouk will also be a familiar face (from the "Pink Panther" movies) in a couple of episodes.
Costumes and sets are the centrepiece of this series, which is understandable considering the fashion content and historical context. Despite an epic thirty-four episodes, the writers manage to build a coherent plot with regular climaxes and the usual soap opera intrigue. Despite probably not being for all tastes, it does represent a polished work, with intelligent script-writing and attention to detail, and should appeal to anyone interested in haute couture fashion or art deco dramas.